
Renaissance Battle for Rome
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Content
- Cover
- The Renaissance Battle for Rome: Competing Claims to an Idealized Past in Humanist Latin Poetry
- Copyright
- Acknowledgments
- Contents
- List of Illustrations
- Conventions
- Introduction: Forging Privileged Links to an Idealized Past
- 0.1 A Rhetorical Battle between Insiders and Outsiders
- 0.2 Images of Rome as Weapons in Four Domains
- 0.3 The Latin Literary Tradition, the Humanists, and Their Patrons
- 0.4 Examining Cultural and Intellectual History through the Lens of Humanist Latin Poetry
- 1: A New Golden Age: Rome Reclaims her Ancient Past
- 1.1 The Name Rome
- 1.2 Petrarch's Rhetoric of Return and Renewal
- 1.3 Papal Rome Reborn
- 1.4 Literary Rome and the Cultural Hegemony of Italy
- 1.5 Conclusion
- 2: Competing Appropriations of Rome's Empire without End
- 2.1 Divine Origins for an Eternal Empire
- 2.2 Genealogical Claims to Rome's Imperial Legacy
- 2.3 Grounding the Imperium in the Physical Location of Rome
- 2.4 Augustus and the Return of the Golden Age
- 2.5 Conclusion
- 3: Weaponized Images of Roman Virtue and Vice
- 3.1 Rome's Circular Discourse of Moral Reform
- 3.2 Portrayals of Virtue Having Left Rome
- 3.3 The Thin Line between Virtue and Vice: Rome's Military Ambition
- 3.4 Renaissance Rome as "Selling God"
- 3.5 A Stereotype of Sexual License
- 3.6 Conclusion
- 4: The Symbolic Resonances of Rome's Cityscape
- 4.1 Competing Narratives of Decay and Restoration
- 4.2 Ambivalent Responses to the Ancient Remains
- 4.3 The Humanists as Guides to Rome's Literary Landscape
- 4.4 Roman Ruins as Symbol of Universal Truths
- 4.5 Conclusion
- 5: The Humanist Poets as "New Romans"
- 5.1 Literary and Cultural Competition in Renaissance Europe
- 5.2 Poets Reviving or Plundering the Latin Legacy of Rome
- 5.3 Humanist Efforts to Reconstruct Rome in Writing
- 5.4 The Durability of Poetic Monuments
- 5.5 Conclusion
- Epilogue
- Appendix of Humanist Authors
- Bibliography
- Index of Authors and Works
- Index of Keywords and General Index
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