Aberrant Nuptials
Deleuze and Artistic Research 2
Published on 28. November 2019
480 pages
978-94-6166-305-4 (ISBN)
Description
More
volumes on 'Deleuze and Artistic Research':
- Machinic
Assemblages of Desire
- The
Dark Precursor (Two-Volume Set)
Unique focus on the relation between artistic research
and the philosophy of Gilles Deleuze
Aberrant Nuptials explores the
diversity and richness of the interactions between artistic research and
Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to
refer to productive encounters between systems characterised by fundamental
difference. More than imitation, representation, or reproduction, these
encounters foster creative flows of energy, generating new material
configurations and intensive experiences. Within different understandings of
artistic research, the contributors to this book-architects, composers,
film-makers, painters, performers, philosophers, sculptors, and writers-map
current practices at the intersection between music, art, and philosophy,
contributing to an expansion of horizons and methodologies. Written by
established Deleuze scholars who have been working on interferences between art
and philosophy, and by musicians and artists who have been reflecting Deleuzian
and Post-Deleuzian discourses in their artworks, this volume reflects the
current relevance of artistic research and Deleuze studies for the arts.
Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad
de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash
University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University
of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward
Campbell (University of Aberdeen / Centre for Modern Thought), Marianna
Charitonidou (University of Paris West Nanterre / National Technical University
of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University
of Kent), Zornitsa Dimitrova (University of Münster), Lilija Duobliene (University
of Vilnius), Andrea Eckersley (RMIT
University), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist,
painter, theorist), Henrik Frisk (Royal Academy of Music Malmö), jan
jagodzinski (University of Alberta), Oleg Lebedev (Université Catholique de
Louvain), Gustavo Penha (University of São Paulo), Katie Pleming (King's
College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University
of Trieste), Tero Nauha (Helsinki Collegium), Stefan Östersjö (Orpheus
Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin
University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University
of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne
Sauvagnargues (University of Paris Ouest Nanterre La Défense), Janae Sholtz (Alvernia
University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University
of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone
Zukauskaite (Lithuanian Culture Research Institute).
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
volumes on 'Deleuze and Artistic Research':
- Machinic
Assemblages of Desire
- The
Dark Precursor (Two-Volume Set)
Unique focus on the relation between artistic research
and the philosophy of Gilles Deleuze
Aberrant Nuptials explores the
diversity and richness of the interactions between artistic research and
Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to
refer to productive encounters between systems characterised by fundamental
difference. More than imitation, representation, or reproduction, these
encounters foster creative flows of energy, generating new material
configurations and intensive experiences. Within different understandings of
artistic research, the contributors to this book-architects, composers,
film-makers, painters, performers, philosophers, sculptors, and writers-map
current practices at the intersection between music, art, and philosophy,
contributing to an expansion of horizons and methodologies. Written by
established Deleuze scholars who have been working on interferences between art
and philosophy, and by musicians and artists who have been reflecting Deleuzian
and Post-Deleuzian discourses in their artworks, this volume reflects the
current relevance of artistic research and Deleuze studies for the arts.
Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad
de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash
University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University
of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward
Campbell (University of Aberdeen / Centre for Modern Thought), Marianna
Charitonidou (University of Paris West Nanterre / National Technical University
of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University
of Kent), Zornitsa Dimitrova (University of Münster), Lilija Duobliene (University
of Vilnius), Andrea Eckersley (RMIT
University), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist,
painter, theorist), Henrik Frisk (Royal Academy of Music Malmö), jan
jagodzinski (University of Alberta), Oleg Lebedev (Université Catholique de
Louvain), Gustavo Penha (University of São Paulo), Katie Pleming (King's
College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University
of Trieste), Tero Nauha (Helsinki Collegium), Stefan Östersjö (Orpheus
Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin
University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University
of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne
Sauvagnargues (University of Paris Ouest Nanterre La Défense), Janae Sholtz (Alvernia
University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University
of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone
Zukauskaite (Lithuanian Culture Research Institute).
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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Content
Introduction
Paulo de Assis
Part 1: Sonic Nuptials: Sounds and Gestures of
Time
Deleuze's
Syntheses of Time and Their Aesthetical Prolongations: Form, Style, and
Achievement
Jean-Marc Chouvel
When Sounds
Encounter One Another.
Zsuzsa Baross
Geomusic,
Ecosophy, and Molecular Oscillators
Ronald Bogue
East Meets
West in France: Catching the Musical Scent
Edward Campbell
Topography
of the (One): Reflections on Musical Time in Composition and Performance
Stefan Östersjö, Christer Lindwall, Jörgen Dahlqvist
In the
(Immanent) Event of Musical-Philosophical Thought
Steve Tromans
Music as a
Reservoir of Thought's Materialisation: Between Metastaseis and Modulor
Marianna Charitonidou
Machinic
Propositions: Artistic Practice and Deterritorialisation
Henrik Frisk, Anders Elberling
A Ligetian
Way to Make a Piano (or a Piano Piece) Stutter
Gustavo Rodrigues Penha
When Time
Begins To Riot: Rhythm and Syncopation in the Work of Jonathan Burrows and
Matteo Fargion
Jonas Rutgeerts
Anne Teresa
De Keersmaeker: An Unbridled Activity of Vital Lines
Oleg Lebedev
Sonic Forms
of Capture
Terri Bird
Part 2: A Little Treatise on Becomology
The Wasp
and the Orchid: On Multiplicities and Becomology
Anne Sauvagnargues
Beyond the
Death-Drive, beyond the Life-Drive: Being-toward-Birthing with
Being-toward-Birth; Copoiesis and the Matrixial Eros-Metafeminist Notes
Bracha L. Ettinger
Thought
beyond Research: A Deleuzian Critique of Artistic Research
Kamini Vellodi
An
Avant-Garde "Without Authority": The Posthuman Cosmic Artisan in the
Anthropocene
jan jagodzinski
Pure
Immanence and the Algorithmic Era: An Aberrant Nuptial
Emilia Marra
Mining the
Aesthetico-Conceptual: Deleuze, Derrida, and Artistic Research
Spencer Roberts
Experimenting
in Relation to the Anthropocene: An Image of Earth-Thought from a Symptomatic
Earth Line
Paolo Vignola
Logic of
Sens/ation: Two Conflicting Conceptions of Transdisciplinarity in Deleuze and
Guattari
Guillaume Collett
Listening
for a New Body: Thinking Change and Learning Reason with Difference and
Repetition and Spinoza: Practical Philosophy
Antonia Pont
Outside-Interior:
?Interior
Suzie Attiwill
Encountering
Fashion as a Practice of Subjectivation
Andrea Eckersley
A Theory of
Becoming: Artistic Spatio-Temporal Experiences after Gilles Deleuze, Alain
Badiou, and Brian Massumi
Liana Psarologaki
Part 3: A Garden of Small Nuptials: Images, Movement,
and Fabulations
Mythopoesis,
Fabulous Images, and Memories of a Sorcerer
Simon O'Sullivan
The
Philosopher as a Line: A Deleuzian Perspective on Drawing and the Mobile Image
of Thought
Janae Sholtz
For a
Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro
Freitas
Lucia D'Errico
Elegy to an
Oz Republic: First Steps in a Ceremony of Invocation towards Reconciliation
Barbara Bolt
Sound and
Image in Artistic Flooding: Vladimir Tarasov, Bill Viola
Lilija Duobliene
Fictioning
a Thought of Performance
Tero Nauha
Milieus of
Locality: The Aesthetic of the Point of View
Sara Baranzoni
"A Life as
an Open Landscape": Systems of Codetermination in Three Robotic Shows
Zornitsa Dimitrova
Interspecies
Sonification: Deleuze, Ruyer, and Bioart
Audrone Zukauskaite
Desire,
Temporality, "Liquid Perception": Deleuze and the Films of Marguerite Duras
Katie Pleming
Photogenesis-Brokering
World
Peter Burleigh
Sculpture
Installation: Garden of Small Nuptials
Elizabeth Presa
Appendix
Notes on
Contributors
Index
Paulo de Assis
Part 1: Sonic Nuptials: Sounds and Gestures of
Time
Deleuze's
Syntheses of Time and Their Aesthetical Prolongations: Form, Style, and
Achievement
Jean-Marc Chouvel
When Sounds
Encounter One Another.
Zsuzsa Baross
Geomusic,
Ecosophy, and Molecular Oscillators
Ronald Bogue
East Meets
West in France: Catching the Musical Scent
Edward Campbell
Topography
of the (One): Reflections on Musical Time in Composition and Performance
Stefan Östersjö, Christer Lindwall, Jörgen Dahlqvist
In the
(Immanent) Event of Musical-Philosophical Thought
Steve Tromans
Music as a
Reservoir of Thought's Materialisation: Between Metastaseis and Modulor
Marianna Charitonidou
Machinic
Propositions: Artistic Practice and Deterritorialisation
Henrik Frisk, Anders Elberling
A Ligetian
Way to Make a Piano (or a Piano Piece) Stutter
Gustavo Rodrigues Penha
When Time
Begins To Riot: Rhythm and Syncopation in the Work of Jonathan Burrows and
Matteo Fargion
Jonas Rutgeerts
Anne Teresa
De Keersmaeker: An Unbridled Activity of Vital Lines
Oleg Lebedev
Sonic Forms
of Capture
Terri Bird
Part 2: A Little Treatise on Becomology
The Wasp
and the Orchid: On Multiplicities and Becomology
Anne Sauvagnargues
Beyond the
Death-Drive, beyond the Life-Drive: Being-toward-Birthing with
Being-toward-Birth; Copoiesis and the Matrixial Eros-Metafeminist Notes
Bracha L. Ettinger
Thought
beyond Research: A Deleuzian Critique of Artistic Research
Kamini Vellodi
An
Avant-Garde "Without Authority": The Posthuman Cosmic Artisan in the
Anthropocene
jan jagodzinski
Pure
Immanence and the Algorithmic Era: An Aberrant Nuptial
Emilia Marra
Mining the
Aesthetico-Conceptual: Deleuze, Derrida, and Artistic Research
Spencer Roberts
Experimenting
in Relation to the Anthropocene: An Image of Earth-Thought from a Symptomatic
Earth Line
Paolo Vignola
Logic of
Sens/ation: Two Conflicting Conceptions of Transdisciplinarity in Deleuze and
Guattari
Guillaume Collett
Listening
for a New Body: Thinking Change and Learning Reason with Difference and
Repetition and Spinoza: Practical Philosophy
Antonia Pont
Outside-Interior:
?Interior
Suzie Attiwill
Encountering
Fashion as a Practice of Subjectivation
Andrea Eckersley
A Theory of
Becoming: Artistic Spatio-Temporal Experiences after Gilles Deleuze, Alain
Badiou, and Brian Massumi
Liana Psarologaki
Part 3: A Garden of Small Nuptials: Images, Movement,
and Fabulations
Mythopoesis,
Fabulous Images, and Memories of a Sorcerer
Simon O'Sullivan
The
Philosopher as a Line: A Deleuzian Perspective on Drawing and the Mobile Image
of Thought
Janae Sholtz
For a
Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro
Freitas
Lucia D'Errico
Elegy to an
Oz Republic: First Steps in a Ceremony of Invocation towards Reconciliation
Barbara Bolt
Sound and
Image in Artistic Flooding: Vladimir Tarasov, Bill Viola
Lilija Duobliene
Fictioning
a Thought of Performance
Tero Nauha
Milieus of
Locality: The Aesthetic of the Point of View
Sara Baranzoni
"A Life as
an Open Landscape": Systems of Codetermination in Three Robotic Shows
Zornitsa Dimitrova
Interspecies
Sonification: Deleuze, Ruyer, and Bioart
Audrone Zukauskaite
Desire,
Temporality, "Liquid Perception": Deleuze and the Films of Marguerite Duras
Katie Pleming
Photogenesis-Brokering
World
Peter Burleigh
Sculpture
Installation: Garden of Small Nuptials
Elizabeth Presa
Appendix
Notes on
Contributors
Index
