
Anetso, the Cherokee Ball Game
Description
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Based on his work in the field and in the archives, Michael J. Zogry argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso, itself the hub of an extended ceremonial complex, or cycle. A precursor to lacrosse, anetso appears in all manner of Cherokee cultural narratives and has figured prominently in the written accounts of non-Cherokee observers for almost three hundred years. The anetso ceremonial complex incorporates a variety of activities which, taken together, complicate standard scholarly distinctions such as game versus ritual, public display versus private performance, and tradition versus innovation.
Zogry’s examination provides a striking opportunity for rethinking the understanding of ritual and performance as well as their relationship to cultural identity. It also offers a sharp reappraisal of scholarly discourse on the Cherokee religious system, with particular focus on the Eastern Band of Cherokee Nation.
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Content
- Intro
- Contents
- Acknowledgments
- INTRODUCTION: Taladu quo! (It is still 12!)
- 1 Tadatse anetsodui (Go and play ball with them): Anetso in the Cherokee Narrative Tradition
- 2 Hani! (Here!): Anetso as an Enduring Symbol of Cultural Identity in an Era of Great Change (1799-1838)
- 3 Ahaquo! (Still there!): The Anetso Ceremonial Complex
- 4 Tseduga! (Pass it to me!): Performing the Cherokee Ball Game in the Twentieth Century
- 5 Woye! (Foul!): Theory and the Meaning of Anetso
- CONCLUSION: Taladu ogisquodiga (12, we finished)
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
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