
Pre-Raphaelite Sisters
Description
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Glenda Youde has recently completed her doctorate at the University of York researching the neglected artistic legacy of Elizabeth Eleanor Rossetti (née Siddall).
Robert Wilkes is a postdoctoral fellow in art history at the Universidade Estadual de Campinas, São Paulo, Brazil, funded by the São Paulo Research Foundation (FAPESP).
Together they organised the successful conference Pre-Raphaelite Sisters: Making Art at the University of York in December 2019.
Content
Contents: Making Art - Sarah Hardy: Evelyn De Morgan: Visions in Gold - Christin Neubauer: New Woman in Disguise: The Art of Eleanor Fortescue-Brickdale and the Woman Question at the Fin de Siecle - Caroline E. Giddis: New Light Upon the Soul: Mary Seton Watts's Legacy of Progressivism and Late-Pre-Raphaelitism in the Watts Cemetery Chapel - Margaretta S. Frederick: Politics and Paint: The Life Work of Barbara Leigh Smith Bodichon - Poetry and Writing - Rosalind White: «Words Came Slowly One by One from Frozen Lips Shut Still and Dumb»: A Reappraisal of the Poetry of Elizabeth Siddal - Nat Reeve: Queer Tombs and Reframing Doom: Elizabeth Siddal and Georgiana Burne-Jones's Unfinished Collaborative Project - Glenda Youde: Christina and Elizabeth Rossetti: Poetic and Artistic Rivals - Carey Gibbons: «The Result of an Experiment»: Evelyn De Morgan and Automatic Writing - Female Agency - Laure Nermel: «Direct and Serious and Heartfelt»: Truth-to-nature in Elizabeth Siddal's Creative Agency - Robyne Calvert: Dismantling Pre-Raphaelite Dress: Facts and Fictions in Women's Artistic Sartorial Practices - Helena Cox: Alzbeta Siddallova and the Czech Rossetti - Charlotte Gere: Georgiana, Lady Burne-Jones: A Self-Portrait in the «Memorials» of Her Husband - Personal Perspectives - Brian Eaton: Fanny Eaton: An Attempt to Discover the Woman behind the Images - Hannah Squire: Beyond Ophelia and Wightwick Manor: Collecting and Exhibiting Women Artists' Work at the National Trust.
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