
Rethinking Feeling
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Rethinking Feeling examines the literary renegotiation of emotion at the Jahrhundertwende, the turn of the century, a period of rapid cultural change when 19th-century moral values were destabilized and ideas about how one should think and feel became contested topics of debate. The re-evaluation of moral values around 1900 was inspired by the philosophy of Friedrich Nietzsche. Nietzsche's writings influenced groups across the political and social spectrum in Wilhelmine Germany (1890-1918) and opened up spaces to think and to feel differently.
This book builds upon interdisciplinary research in emotion studies, Bakhtinian discourse analysis, and narrative theory to develop a new way of reading emotion in narrative prose works. The literary analyses in Rethinking Feeling break new ground in interpreting influential works by Thomas Mann, Lou Andreas-Salomé, Theodor Fontane, and Hedwig Dohm as its analysis offers a new way of understanding the role of emotion in literary and cultural history.
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Acknowledgments
Introduction - Thinking and Feeling Differently Around 1900: Heteropathia as a Method of Reading
- Emotions as Historically and Culturally Variable
- Emotions, Modernization, and Cultural Change in Wilhelmine Germany
- Renegotiating Social and Moral Emotions through Literature, Art, and Print Media
- Heteropathia in the Novel
- Overview of the Chapters
1. Honor and Compassion: Responding Ethically to Adultery in Theodor Fontane's Effi Briest (1895)
- Emotion and Social Criticism in Fontane's Novels
- Effi Briest's Compassionate Narrator
- Masculine Honor and Dueling around 1900
- A Brief History of Mitleid
- Adapting Schopenhauer's Ethics of Compassion
- Competing Emotional Styles in Dialogue
- Sensing the Decline of Dueling and Honor
- Acknowledging a Need for Compassion and Self-Conscious Moral Emotions
2. Shame and Love: Challenging Gendered Feeling Rules in Lou Andreas-Salomé's Fenitschka (1898)
- Andreas-Salomé and the "Woman Question"
- Fenitschka's Heteropathic Renegotiation of Social and Moral Emotions
- The Limits of Emotional Essentialism
- Creating Space for New Ways of Thinking and Feeling
- Conflicting Cultural Narratives of Love
- Subverting the Male Gaze and Feminine Shame
- Acknowledging Women's Agency
3. Pride and Decadent Sensibility: Renegotiating Emotions through Art in Thomas Mann's Buddenbrooks (1901)
- Looking beyond Accusations of Artistic Coldness in Buddenbrooks
- Mann's Empathetic-Ironic Narration
- Emotional Change Through Four Generations
- Modernization and the Necessity of Accompanying Emotional and Cultural Shifts
- Negotiating between Bourgeois Pride and Decadent Sensibility
- Heteropathia as an Expression of Mann's "Poetic Criticism"
- The Writer Kai as Structural Metaphor for the Mediation of Emotions
4. Anger and Hope: Forging a Feminist Future in Hedwig Dohm's Christa Ruland (1902)
- Dohm's Writing in Service to Women
- Emotion and Narration in the Epistolary Novel
- Emotional Styles beyond the Femme Fatale and Femme Fragile
- A Constructivist Model of Gender and Emotion
- Resistance to Gendered Social Barriers
- Feminist Attachments - Anger and Hope
- Between Individualism and Altruism
Epilogue: Rethinking Emotions Then and Now
Bibliography
Index
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