Writing Australian History On-screen
Television and Film Period Dramas "Down Under"
Lexington Books (Publisher)
1st Edition
Published on 15. February 2023
1 pages
979-8-8818-8100-9 (ISBN)
Description
Writing Australian History On-screen: Television and Film Period Dramas "Down Under" reveals the depths of Australian history from convict times to the present day. The essays in this book are thematically driven and take a rounded historical-cultural-sociological-psychological approach in analyzing the various selected productions. In their analyses and interpretations of the topic, the contributors interrogate the intricacies in Australian history as represented in Australian filmic period drama, taken from an Australian perspective. Individually, and together as a body of authors, they highlight past issues that, despite the society's changing attitudes over time, still have relevance for the Australia of today. In speaking to the subject, the contributing writers show a keen awareness that addressing new areas arising from the humanities is key to learning; and hence to developing an understanding of the Australian culture, the society, and sense of the ever-unfurling flag of an Australian something that is not yet a national identity.
More details
Edition
1. Auflage
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
ISBN-13
979-8-8818-8100-9 (9798881881009)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Jo Parnell | Julie Anne Taddeo
Writing Australian History On-screen
Television and Film Period Dramas "Down Under"
Book
02/2023
Lexington Books
€99.50
Shipment within 3-4 weeks
Persons
Jo Parnell is Honorary Lecturer in the School of Humanities, Creative industries, and Social Sciences, College of Human and Social Futures at University of Newcastle.
Julie Anne Taddeo is Research Professor in the Department of History at University of Maryland.
Julie Anne Taddeo is Research Professor in the Department of History at University of Maryland.
Content
Chapter 1. Kings in Grass Castles: The Duracks and Screened Mythology
Andrew Howe
Chapter 2. "It's a bastard of a place - takes a bastard to lick it": Violence, Victimhood, and Nationalism on the Frontier in Luke's Kingdom (1976), and Against the Wind (1978)
James Findlay
Chapter 3. Love, Lust, and Land Rights in The Naked Country (1985)
Chelsea Barnett
Chapter 4. Fisher Queens Versus the White Australia Policy: Challenging Orientalism in Miss Fisher and the Crypt of Tears, and Ms Fisher's Modern Murder Mysteries?
Dirk Gibb
Chapter 5. "It's the War That Didn't Suit Me": Miss Fisher's Jack Robinson as Emblematic First World War Ex-Serviceman
Jessica Meyer
Chapter 6. Beyond Changi: Australians, Singapore and World War Two Films
Donna Brunero and Leong Yew
Chapyer 7. Labor History in Australian Film and Television: Sunday Too Far Away (1975), and Bastard Boys (2007)
Grace Brooks
Chapter 8. "I belong to me and no one else": Jennifer Kent's The Nightingale (2018) Reimagines an Australian Frontier My
Andrew Howe
Chapter 2. "It's a bastard of a place - takes a bastard to lick it": Violence, Victimhood, and Nationalism on the Frontier in Luke's Kingdom (1976), and Against the Wind (1978)
James Findlay
Chapter 3. Love, Lust, and Land Rights in The Naked Country (1985)
Chelsea Barnett
Chapter 4. Fisher Queens Versus the White Australia Policy: Challenging Orientalism in Miss Fisher and the Crypt of Tears, and Ms Fisher's Modern Murder Mysteries?
Dirk Gibb
Chapter 5. "It's the War That Didn't Suit Me": Miss Fisher's Jack Robinson as Emblematic First World War Ex-Serviceman
Jessica Meyer
Chapter 6. Beyond Changi: Australians, Singapore and World War Two Films
Donna Brunero and Leong Yew
Chapyer 7. Labor History in Australian Film and Television: Sunday Too Far Away (1975), and Bastard Boys (2007)
Grace Brooks
Chapter 8. "I belong to me and no one else": Jennifer Kent's The Nightingale (2018) Reimagines an Australian Frontier My
