
The Novel of Neronian Rome and its Multimedial Transformations
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Content
- 1: Monika Wozniak and Maria Wyke: Introduction
- I. Literary Context
- 2: Jerzy Axer: The Paradoxes of Quo vadis: The Polish Classical Tradition in Action
- 3: Adam Ziólkowski: Sienkiewicz and the Topography of Ancient Rome. The Riddle of Ostrianum in Quo vadis
- 4: Ewa Skwara: Costumes in Henryk Sienkiewicz's Quo vadis and Their Literary and Painterly Sources
- 5: Ruth Scodel: Quo vadis and Ancient Rome in the United States, 1896-1905
- 6: Comparing the Reception of Quo Vadis and Ben-Hur in the United States, 1896-1913
- II. Quo vadis up to the Second World War
- 7: David Mayer: Quo vadis on the stage
- 8: Stella Dagna: Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz's Novel
- 9: Maria Wyke: Word and Image: Competitive Adaptation in the Feature Film Quo vadis? (1913)
- 10: Raffaele De Berti and Elisabetta Gagetti: Illustrating Quo vadis in Italy (1900-1925): Between Cultivated Tradition and Popular Culture
- 11: Ewa Górecka: Horror amid Sweetness: Kitsch and the Intertextual Strategies of Quo vadis Postcards
- III. Quo vadis post the Second World War
- 12: Jonathan Stubbs: 'A more permanent world': Quo Vadis (1951), Runaway Production, and the Internationalisation of Hollywood
- 13: Martin M. Winkler: M-G-M's QVO VADIS: From Historical Fiction to Screen Spectacle
- 14: Monika Wozniak: 'O omnivorous powers, hail!': Film Dialogue in Quo Vadis (1951)
- 15: Monica dall'Asta and Alessandro Faccioli: Ursus as a Serial Figure
- 16: Elzbieta Ostrowska: The (In)discreet Charm of the Romans: Quo vadis (dir. Jerzy Kawalerowicz, 2001)
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