
Worlds of Hungarian Writing
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Persons
Zsolt Komáromy teaches at Eötvös Loránd University, Budapest.
Zsuzsanna Varga teaches at the University of Glasgow.
Content
Note on Translations
Note on Contributors
Introduction: World Literature in Hungarian Literary Culture by András Kiséry and Zsolt Komáromy:
Chapter 1: Wordsworth in Hungary": An Essay on Reception as Cultural Memory and
Forgetting by Zsolt Komáromy
Chapter 2: Negotiating the Popular/National Voice: Impropriety in Two Hungarian
Translations of Robert Burns by Veronika Ruttkay
Chapter 3: Translation, Modernization and the Female Pen: Hungarian Women as
Literary Mediators in the Nineteenth Century by Zsuzsanna Varga
Chapter 4: The Hungarian Verse Novel in a Cross-Cultural Perspective by Júlia Bácskai
Atkári
Chapter 5: Antal Szerb's The Queen's Necklace: A 'true story' of Cross-cultural Intersections in Hungarian Literature by Ágnes Vashegyi MacDonald
Chapter 6: Mediation and Hybridity: Twentieth-Century Hungarian Émigré Literary Scholars by Sándor Hites
Chapter 7: The New Left's Use and Abuse of György Lukács's Thought by György Túry
Chapter 8: Recontextualization, Localization, Hybridization: Intercultural Matrices in
Hungarian Roma and African American Life Writings by Tamás Demény
Chapter 9: The Cultural (Un)Turn in Hungarian Literary Scholarship in the 1990s:
Strategies of Inclusion and Exclusion by Györgyi Horváth
Chapter 10: Borderline Fiction: Eastern Europe and East-West Encounters in László
Krasznahorkai's Works by Edit Zsadányi
Chapter 11: Text, Image, Memory: Intermediality in the Work of Péter Nádas
by Lauren Walsh
Chapter 12:Monuments and Bulldozers: Social Memory Landscapes in Péter Esterházy's
Celestial Harmonies and Donald Barthelme's The Dead Fatherby Katalin Orbán
Index
About the Editors and Contributors
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