
Art Rethought
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Content
- Introduction
- Part One: The Grand Narrative of Art in the Modern World
- 1: The Early Modern Revolution in the Arts
- 2: Why the Revolution?
- 3: The Grand Narrative and the Grand Narrative Theses
- 4: Wherein Lies the Worth of Disinterested Attention?
- 5: Art, Religion, and the Grand Narrative
- Part Two: Why The Grand Narrative Has To Go
- 6: The Inapplicability of the Grand Narrative to Recent Art
- 7: Why the Grand Narrative Never Was Tenable
- Part Three: A New Framework For Thinking About The Arts
- 8: The Arts as Social Practices
- 9: Meaning of Works of the Arts and Artworks
- Part Four: Memorial Art
- 10: The Social Practices of Memorial Art
- 11: The Memorial Meaning of the Mural Art of Belfast
- Part Five: Art For Veneration
- 12: The Social Practices of Art for Veneration
- Part Six: Social Protest Art
- 13: The Social Practices of Social Protest Art
- 14: The Social Protest Meaning of Uncle Tom's Cabin
- 15: The Social Protest Meaning of the Graphic Art of Käthe Kollwitz
- Part Seven: Art That Enhances
- 16: Work Songs: Social Practice and Meaning
- Part Eight: The Art-Reflexive Art of Today's Art World
- 17: The Social Practices of Art-Reflexive Art
- 18: Art-Reflexive Meaning in the Work of Sherrie Levine
- Epilogue: Good Works and Just Practices
- 19: What Happened to Beauty?
- 20: The Pursuit of Justice and the Social Practices of Art
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