
Bruce Springsteen and Popular Music
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Content
Acknowledgments
List of contributors
Introduction: the rhetoric and social consciousness of Bruce Springsteen
William I Wolff
Part 1. Politics, fear, and society
1. Lost in the flood: Bruce Springsteen's political consciousness and the Vietnam War, 1968-2014
Jonathan D. Cohen
2. "Youngstown": a local band's rebuke of Springsteen's representation of a city struggling to define itself after deindustrialization
Sara Gulgas
3. Our Lady of E Street: the Boss's Virgin, 2002-2014
Karen O'Donnell
4. "This turnpike sure is spooky": Springsteen and the politics of fear
Jason Stonerook
Part 2. Gender and sexual identity
5. American Beauty nomads?: ontological security and masculinized knowledge in uncertain times
Pamela Moss
Dialogues: Springsteen and women
6. The Promised Land: Springsteen's epic heterosexuality, late capitalism, and prospects for queer life
Nadine Hubbs
7. Is there anybody alive out there? Growing up queer with Bruce
Holly Casio
8. Who is Springsteen to his women fans?
Lorraine Mangione and Donna Luff
Part 3. Toward a rhetoric of Bruce Springsteen
9. When words fail: nonlexical utterances and the rhetoric of voicelessness in the songs of Bruce Springsteen, 1975-1984
Eric Rawson
10. "To stand shoulder to shoulder and heart to heart": authenticity, community, and folk music in the recent work of Bruce Springsteen
Owen Cantrell
Dialogues: Springsteen, audience, and interpretation
11. "Bring 'em home!": the rhetorical ecologies of Devils & Dust
Jason Schneider
12. Springsteen's stage success: the setlist and beyond
Peter Chianca
13. "They don't just see some person with a guitar": Springsteen and rhetorical identification
Scott Wagar
Index
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