
Xala
Description
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James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory.
Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.
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Content
1. Dakar, 1974: The Politics of Setting and Film Production
2. Africanity ? Africa: For an African Third Cinema
3. Defetishising the Fetish
4. The Fading Father, or The Future is Feminist
5. Resisting the Narrative Curse: Countermoves
and Counter-Spaces
6. From Evian to Sputum: Abjection as Redemption
Epilogue: The Legacy of Xala
Notes
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