
The Vanishing Indian Upper Class
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The Vanishing Indian Upper Class: The Life History of Raza Mohammed Khan: This masterful work brings together a leading American sociologist and an Indian elite. The result is a powerful narrative and thoughtful reflections on modern India with gripping insights on gender, family, the ruling class, religion, the caste system, poverty, greed and power. Its life history approach makes The Vanishing Indian Upper Class an exemplary read, weaving together the everyday tapestry of a Muslim aristocrat, his household, which then merge into the very structural fabric of India herself, a modern democracy built upon the sheaf of a vibrant civilization. Terry Williams is one of the leading ethnographers of our time and his ability to narrate the depth of the human condition gives us a work that is searing, elucidating, and sobering. Raza Mohammed Khan, a prominent member of the upper-class in India, affords us the right of passage to make this possible. In the end, readers come away with a journey well worth the trip. - Zain Abdullah, author of Black Mecca: The African Muslims of Harlem and associate professor of Religion and Society and Islamic Studies, Temple University. "As India shudders and splits apart, this enthralling ethnography traces one royal family's story as it loses its place in the old social order, disperses to Baghdad, Karachi and London, and struggles to maintain family ties and traditions even as it adapts to the new world." - Anwar Shaikh, Professor of Economics, New School for Social Research Terry Williams is one of the most original and imaginative sociologists, anywhere. Each of his many works is different from the previous, in content, method as well as implicit argument. What ties them together is that each is both a search for truth as well as a methodological experiment. He calls The Vanishing Indian Upper Class: The Life History of Raza Mohammed Khan an ethnographic excavation. It is that but also much more. The work reconstructs the life of a prince in exile, Raza Mohammed Khan, as a mirror simultaneously of the Indian aristocracy, the society of which it was once a significant part, the life of exile, as well as stormy family relations that resemble "unhappy families" elsewhere, in spite of Tolstoy's dictum. The stories are told by both Khan and Williams, two master raconteurs, and thus very generously both are included as the authors. But the experiment is designed by Williams, who wants it to be a test of ethnography itself. Can a man originally from the Mississippi of the Jim Crow era, understand the lifeworld of an Indian prince? The book shows that he can, that totally different horizons of experience can after all be fused. For the reader, the work promises many repeats of the very same fundamentally human experience. - Andrew Arato, Dorothy Hirshon Professor in Political and Social Theory, New School for Social ResearchMore details
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