Raphael and the Redefinition of Art in Renaissance Italy
Published on 29. March 2017
978-1-108-14663-0 (ISBN)
Description
Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.
Reviews / Votes
'... Williams's book is both monumental and important ... [his] account of Raphael is stimulating and challenging ... this is an important volume and one that will make Williams's voice heard for generations to come.' Christopher J. Nygren, ContemporaneityMore details
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
College/higher education
Illustrations
Worked examples or Exercises; 88 Halftones, color; 111 Halftones, black and white
File size
83,08 MB
ISBN-13
978-1-108-14663-0 (9781108146630)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Robert Williams
Raphael and the Redefinition of Art in Renaissance Italy
The Redefinition of Art in Renaissance Italy
Book
04/2017
Cambridge University Press
€117.50
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Person
Robert Williams is Professor of the History of Art at the University of California, Santa Barbara. He received his Ph.D. at Princeton, under the supervision of John Shearman and is the author of Art, Theory, and Culture in Sixteenth-Century Italy: From Techne to Metatechne (Cambridge, 1997) and Art Theory: An Historical Introduction (2003) which has been translated into Chinese and Korean. Among his recent publications is Michael Baxandall, Vision, and the Work of Words (2015), co-edited with Peter Mack of the University of Warwick.
Content
1. Universa pingendi ratio; 2. The systematicity of representation; 3. The rationalization of labor.
