Post-Object Fandom

Reviews / Votes

In this erudite and absorbing study, Rebecca Williams argues that endings are a crucial starting place for understanding fandom. A must read for fans and scholars alike, Post-Object Fandom makes a significant contribution to fan and media scholarship with its strong theoretical background and emphasis on moments of transition in fan identity. Eschewing a typical single fandom analysis, Williams uses a multi-fandom approach to reveal the universality of finality. From regeneration to resurrection, this is a book about conclusions that you won't want to end. * Paul Booth, Associate Professor of Media and Cinema Studies, DePaul University, USA, and author of Digital Fandom and Playing Fans * Rebecca Williams's Post-Object Fandom uses the idea of endings to expertly interrogate the deeply personal relationships fans can have with TV series and their characters. This important contribution to fan studies brings together philosophical, psychological, and textual concerns, all explored through the specific lens of fan responses to endings. Her focus on one particular aspect of the shows allows her to broaden her theoretical and practical inquiries as she offer important insights into varied fan responses. Her wide-ranging examples and methods allow her findings to amend existing investigations into fan identities. * Kristina Busse, Founding Co-editor of Transformative Works and Cultures, and co-editor of Fan Fiction and Fan Communities in the Age of the Internet (2006), Sherlock and Transmedia Fandom (2012), and The Fan Fiction Studies Reader (2014) * An important contribution to fan studies, audience studies, and television studies in the digital age, this book explores how devoted viewers deal with TV shows' (un)intentional endings, transmedia continuations, and uncertain industry hiatuses. Always inspired and acute in her analysis, Rebecca Williams tackles a range of case studies from Doctor Who to Friends to The West Wing. Post-Object Fandom is such a good read, you simply won't want it to end. * Matt Hills, Professor of Film and TV Studies, Aberystwyth University, UK *