
English Intonation from a Dutch Point of View
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Content
- Intro
- 1 DROP YOUR FOREIGN ACCENT
- 1.0 Introduction
- 1.1 The importance of intonation in speech
- 1.2 Principles of an experimental-phonetic approach
- 1.3 Aims of this study
- 1.4 Brief outline of the study
- 2 FROM TUNES TO PERCEPTUALLY RELEVANT PITCH MOVEMENTS
- 2.0 Introduction
- 2.1 The British English school
- 2.2 The American English school
- 2.3 Two recent phonological approaches to intonation
- 2.4 The Dutch school
- 2.5 A final note on the notational systems
- 2.6 Contrastive English-Dutch intonation studies
- 2.7 Concluding remarks
- 3 FIRST EXPLORATIONS
- 3.0 Introduction
- 3.1 Characteristics of the production of a non-native pronunciation of English intonation by Dutch speakers: First experiment.
- 3.2 Discrimination of Dutch and English pitch contours: Second experiment
- 3.3 Concluding remarks
- 4 PERCEPTUAL TOLERANCES OF SOME PROPERTIES OF PITCH MOVEMENTS IN ENGLISH
- 4.0 Introduction
- 4.1 The experiment
- 4.2 Results
- 4.3 Conclusions
- 4.4 Discussion
- 5 A COMPARISON OF PITCH MOVEMENTS IN ENGLISH PRODUCED BY NATIVE SPEAKERS OF ENGLISH AND OF DUTCH
- 5.0 Introduction
- 5.1 Method
- 5.2 Results
- 5.3 Discussion
- 5.4 Summary and conclusions
- 6 A PERCEPTUAL EVALUATION OF DEVIATIONS IN PITCH
- 6.0 Introduction
- 6.1 First experiment: the perceptual relevance of nine deviations
- 6.2 Second experiment: a continued search for deviations
- 6.3 Third experiment: first attempts to evaluate 'duration'
- 6.4 General discussion
- 7 PRELIMINARIES TO A COURSE IN ENGLISH INTONATION
- 7.0 Introduction
- 7.1 Method
- 7.2 Results
- 7.3 Discussion
- 8 CONCLUDING CONSIDERATIONS AND SUGGESTIONS FOR APPLICATIONS
- 8.0 Introduction
- 8.1 General discussion of the results
- 8.2 Viewing the aims of the study
- 8.3 Suggestions for further research
- 8.4 Testing the intonation course
- 8.5 Suggestions for applications
- 8.6 Some theoretical implications of a descriptive model
- 8.7 Some preliminary pronunciation precepts
- Postscript
- APPENDICES
- Appendix A: survey of stylized pitch contours (3)
- Appendix B: averaged data of pitch movement on tonic (3)
- Appendix C: raw frequency values Brighton-Crawley (4)
- Appendix D: scale valus Brighton-Crawley (4)
- Appendix E: scale values combined groups (4)
- Appendix F: dialogue used in the production test (5)
- Appendix G: averaged values of production test (5)
- Appendix H: scale values Brighton-Crawley (6)
- Appendix I: scale values combined groups (6)
- Appendix J: scale values second experiment (6)
- Appendix K: frequency count second experiment (6)
- Appendix L: survey of F0 curves of precepts test (7)
- Appendix M: acceptability scores precepts test (7)
- Summary
- References
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