
In the Salt Marsh
Description
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Amid poems about the intimate presence of nature are expressions of absences deeply felt. Willard is drawn not just to the inhabited world but also to the empty spaces with which our passage through life is strewn. In "The Absence at the Swing,” a rabbit watches a swing's back-and-forth motion just after the children have left the playground; in "Niche Without Statue,” she takes us to "an alcove scoured / to stucco light” and tells us, "Somebody lived here. Stepped away. No tracks.” We learn, too, of the presences she misses most deeply, as in "Phone Poem,” in which she imagines receiving a telephone call from her father after his death.
Whether she is cultivating a sense of the life that is all around her or attending to the losses felt within, Nancy Willard never ceases to enchant us with the sense of dedication and awe that graces her verse.
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Content
- Intro
- Title Page
- Copyright
- Dedication
- Contents
- Love in America
- Love in America
- The Ladybugs
- The Butterfly Forest
- The Way She Left Us
- Phone Poem
- Houses
- Filming The Time Machine in the Twenty-first Century
- Choosing a Stone
- The Sandbar
- A Human Error
- Apple
- The Snow Arrives After Long Silence
- The Wonderful Lamp
- The Wish of the Brother with a Swan's Wing
- Sky. Clouds. Apples.
- An Accident
- Deer Skull
- In the Salt Marsh
- Private Lives of Public Places
- The Migration of Bicycles
- The Training of the Retriever
- Niche Without Statue
- The Absence at the Swing
- Before the Feast
- The Drowned Man
- The River That Runs Two Ways
- The Boardwalk
- At Tivoli Bays
- Little Journey
- Breakup on the Hudson
- In the Vineyard
- The Guardian
- Rooms
- An Open Book
- About the Author
- Other Books by This Author
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