
The Evolution of Human Language
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- The Evolution of Human Language
- Editorial page
- Title page
- Dedication page
- LCC page
- Table of contents
- Acknowledgments
- Introduction
- Basic scenarios and forces in the evolution of human language
- 2.1. First scenario: Cognitive and physical predispositions for language
- 2.1.1. Motor rhythms and programs as predispositions for language
- 2.1.2. Sensory preadaptations for language
- 2.1.3. The evolution of the neo-cortex as predisposition for language
- 2.1.4. The evolution of the larynx as predisposition for language
- 2.2. Second scenario: Bottleneck situations and the rapid evolution of language
- 2.3. Third scenario: Sexual selection and a run-away evolution of language
- 2.4. Fourth scenario: Language as a universal symbolic medium
- 2.5. Initial conclusions
- Expression and appeal in animal and human communication with special consideration of laughter
- 3.1. From animal motion to animal sign behavior
- 3.2. From animal communication to human language
- 3.3. Laughter and the origin of the comical genre
- 3.3.1. Classical analyses of laughter and the comical
- 3.3.2. Laughing in communicative contexts
- 3.3.3. Neural mechanisms responsible for the comical
- 3.4. The place of laughter in the evolution of semiotic behavior
- 3.4.1. Critique of emotional expressivity (and appeal) as origin of language
- 3.4.2. Argumentation in archaic societies
- The evolution of cognitive control in tool-making and tool-use and the emergence of a theory of mind
- 4.1. The vector-space of goal directed motion
- First cognitive principle of causation: Specification of a vector space
- 4.2. Instrumentality in higher mammals and man
- Second cognitive principle of causation: Instrumentality
- 4.3. Controllers and their semantic consequences
- 4.4. Mentally or communicatively caused events and theories of mind
- Third cognitive principle of causation: Theory of mind and mental causation
- The evolution of pre-historic art and the transition to writing systems
- 5.1. The evolution of art from the Paleolithic to the Mesolithic
- 5.1.1. The engravings on tools
- 5.1.2. Paleolithic sculptures
- 5.1.3. Paleolithic cave paintings
- 5.1.4. The representation of humans in a social context
- 5.2. The topology of Cro-Magnon life space and the semiotic space of decorated caves
- 5.3. Living and moving forms in the classical cave-paintings (Chauvet, Lascaux and Altamira)
- 5.4. From iconic schemata to abstract signs and to writing
- 5.4.1. Rock engravings from the Paleolithic to modern time
- 5.4.2. The evolution of writing
- 5.5. Is the esthetical function basic for art and language?
- Symbolic creativity in language, art, and science and the cultural dynamics of symbolic forms
- 6.1. Symbolic creativity and human evolution
- 6.2. Creativity and lexical innovation
- 6.2.1. Dynamic principles of nominal composition
- 6.2.2. The dependence of creative compounds on the context
- 6.2.3. The blending of image and compound in comical texts
- 6.3. Creativity in art and the dynamics of symbolic innovation
- 6.3.1. Creativity and symbolic innovation in the art of Leonardo da Vinci
- 6.3.2. Symbolic abstraction and innovation in the art of William Turner
- 6.3.3. Creativity and radical analysis of human body postures in the art height8pt depth3pt width0pt of Henry Moore
- 6.3.4. Remarks on the acceptance of innovation in art
- 6.4. Creativity in science and the role of mental modeling for the evolution of language
- 6.5. The evolutionary dynamics of symbolic innovation
- ``Fossils'' of evolution in the lexicon of HAND and EYE (mainly in German, English and French)
- 7.1. Preliminary remarks on morphological continuity, linguistic ``fossils'' and conceptual development
- 7.2. A comparative analysis of the object-category HAND in different languages
- 7.3. A comparative analysis of the object category EYE
- 7.4. The synergetics of hand and eye, ear and mouth as dynamic threshold for higher symbolic behavior
- 7.5. The lexicon of HAND and EYE as a starting point for syntactic deep structures
- 7.6. The emergence of a syntactic ``machinery''
- 7.7. Some methodological conclusions
- The form of a ``protolanguage'' and the contours of a theory of language evolution
- 8.1. An informed guess at the form of protolanguage
- 8.1.1. The plausible time span of a protolanguage
- 8.1.2. Can artifacts tell us something about a protolanguage?
- 8.1.3. Anatomical evolution and the shape of a protolanguage
- 8.2. The format of an evolutionary grammar
- 8.2.1. The semantics of space and time in a protolanguage
- 8.2.2. Representation of actions and events
- 8.2.3. Beyond the grasp scenario
- 8.2.4. The complexity of (nominal) phrases
- 8.2.5. The self-organization of a grammatical system
- 8.2.6. Major levels of an evolutionary (biological) grammar and the transition towards a culturally based grammar
- 8.3. The contours of a theory of language evolution
- 8.3.1. The genetic code and human grammar. What is the relevant analogy, if there is one?
- 8.3.2. Darwinian principles of language change as a basis of an evolutionary theory of language
- 8.3.3. Long range selective advantages of linguistic features
- 8.3.4. Selective advantage through ``symbolic theft'' and the exploitation of the ``mirror system''
- 8.3.5. Conclusions for a theory of the evolution of language
- Symbolic forms, generalized media, and their evolution
- 9.1. Symbol formation and symbolic forms (in Cassirer's philosophy of symbolic forms)
- 9.2. Sociological models of semiotic genres (Luhmann, Habermas)
- 9.3. The evolution of symbolic forms and generalized media
- Consciousness, linguistic universals, and the methodology of linguistics
- 10.1. Consciousness and linguistic signs
- 10.2. Linguistic universals based on evolutionary principles
- 10.3. Consequences for linguistic methodology
- Notes
- Chapter 1
- Chapter 2
- Chapter 4
- Chapter 5
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- References
- Index of proper names
- Subject index
- Index of principles and hypotheses
- The series Advances in Consciousness Research
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