Words and Notes in the Long Nineteenth Century
1st Edition
Published on 15. August 2013
268 pages
978-1-78204-137-5 (ISBN)
Description
A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.
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Other editions
Additional editions
Phyllis Weliver | Katharine Ellis
Words and Notes in the Long Nineteenth Century
Book
08/2013
Boydell Press
€120.20
Shipment within 3-4 weeks
Persons
Fauser Annegret:
ANNEGRET FAUSER, Cary C. Boshamer Distinguished Professor of Music, University of North Carolina at Chapel Hill
ANNEGRET FAUSER, Cary C. Boshamer Distinguished Professor of Music, University of North Carolina at Chapel Hill
Content
Introduction: Approaches to Word-Music Studies of the Long Nineteenth Century - Phyllis Weliver and Katharine Ellis
Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other - Peter Dayan
Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera - Cormac Newark
New Expectations: How to Listen to Sonata Form, 1800-1860 - Jon-Tomas Godin
The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past - Shafquat Towheed
Musical Listening in The Mysteries of Udolpho - Noelle Chao
Katherine Mansfield and Nineteenth-Century Musicality - Delia da Sousa Correa
E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815-1819 -
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner - Emma Sutton
Théodore de Banville and the Mysteries of Song - David Evans
Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song - Helen Abbott
The Grit in the Oyster, or How to Quarrel with a Poet - Susan Youens
Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword - Annegret Fauser
Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other - Peter Dayan
Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera - Cormac Newark
New Expectations: How to Listen to Sonata Form, 1800-1860 - Jon-Tomas Godin
The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past - Shafquat Towheed
Musical Listening in The Mysteries of Udolpho - Noelle Chao
Katherine Mansfield and Nineteenth-Century Musicality - Delia da Sousa Correa
E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815-1819 -
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner - Emma Sutton
Théodore de Banville and the Mysteries of Song - David Evans
Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song - Helen Abbott
The Grit in the Oyster, or How to Quarrel with a Poet - Susan Youens
Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword - Annegret Fauser
