
Recovering Your Story
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Marcel Proust, James Joyce, Virginia Woolf, William Faulkner: the very names sound intimidating. Yet as Weinstein argues with wit and passion, the works of these authors, and of their contemporary heir Toni Morrison, are in fact shimmering mirrors of our own inner world and most intimate thoughts. Novels such as Remembrance of Things Past, Ulysses, Mrs. Dalloway, To the Lighthouse, The Sound and the Fury, Absalom, Absalom!, and Beloved allow us to explore the inner worlds of human feeling and bring us face-to-face with our own deepest selves and desires. Weinstein decodes these great novels, and he shows how to read them to understand human beings-the way our minds and hearts actually work. This is what Weinstein means by "recovering your story.”
Weinstein illuminates the complex pleasures woven into these peerless narratives. Beneath the slow, sensual cadences of Proust he finds an edgy erotic tension as well as a remarkably crisp depiction of the timeless world inside the self. Joyce's Ulysses, in Weinstein's brilliantly original reading, is a protean linguistic experiment that forces us to view both our bodies and our minds in a radically new-and hilariously funny-light. His analysis of Virginia Woolf's Mrs. Dalloway and To the Lighthouse circles back again and again on Woolf's depiction of the importance of relationships in knowing the self. Faulkner, argues Weinstein, is at once our greatest tragedian and our darkest comedian, a novelist who captures both the agony and absurdity of consciousness in a time of social and moral disintegration. Finally, in Toni Morrison's Beloved, Weinstein explores the legacy of modernism in a contemporary novel, as Morrison brings the body into the literary picture, confronting how the body affects not only our fundamental concept of self, but also consciousness itself.
In this magnificent work of literary appreciation and exploration, Weinstein makes the astonishing discovery of the self as a part of the joy of reading great modernist fiction, even as he makes these powerful works understandable, accessible, indeed imperative for all adventurous readers.
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Content
- Intro
- TITLE PAGE
- TABLE OF CONTENTS
- DEDICATION
- PREFACE
- INTRODUCTION
- MARCEL PROUST
- THE WORLD IS THE SELF
- PROUST UPFRONT
- THE MADELEINE
- FALSE BOTTOMS AND REVERSALS
- PERCEPTION AND METAMORPHOSIS
- TRANSFORMATIVE ART
- IMPRESSIONIST PROSE: FORGETTING WHAT YOU "KNOW"
- HOW TO WRITE SEXUAL OTHERNESS
- BIRDS AND BEES
- MATING RITUALS AND HIDDEN KINSHIPS
- THE SEXUAL MAP
- HABIT AND PERCEPTION
- LOVE, FUSION, AND TRANSPARENCY
- LIES AND CREATIVITY
- SOCIETY
- JEALOUSY
- STAGES OF LOVING: YOU CAN'T GET THERE FROM HERE
- THE INNER CARTOGRAPHY
- A WORLD OF LINKAGE AND BONDS
- THE FOURTH-DIMENSIONAL WORLD
- MEMORY
- LIFE AS PALIMPSEST
- TAKING OUR MEASURE
- RECOVERING YOUR STORY
- JAMES JOYCE
- SONG OF BODY AND MIND
- JOYCE UP-FRONT
- JOYCEAN BEGINNINGS
- THE READER AS ULYSSES
- REWRITING STEPHEN DEDALUS
- IF LIFE HAS NO PLOT, WHY SHOULD BOOKS?
- JOYCEAN MUSIC
- HISTORY AS A NIGHTMARE
- A TEXT THAT TALKS BACK
- WRITING AND METAMORPHOSIS
- STEPHEN EXPOSED
- MY JOYCE: FALSTAFFIAN
- THE ADVENT OF BLOOM
- LIFE'S SMALL PLEASURES
- PLOT RETURNS
- BLOOM THE ARTFUL DODGER
- LOTUS AND THE TECHNIQUES OF EVASION
- KEEPING GHOSTS AT BAY
- THE OPIATE OF THE MASSES
- THE ART OF SELF-DEFENSE
- ESCAPING DEATH
- JOYCEAN PYROTECHNICS
- BIRTHING BABIES, BIRTHING ENGLISH
- STEPHEN'S HIGH-WIRE ACT
- RETURN TO BLOOM: WONDER WHOSE THOUGHTS YOU'RE CHEWING
- THE SOUND OF LOVE
- THE "SLLT" PRINCIPLE AT WORK
- ONE-EYED VISION
- HEROIC BLOOM
- ROMANCE: HARLEQUIN-STYLE
- THE MACHINERY OF ECSTASY
- POST-ORGASM MUSING
- CIRCE: CIRCUS
- CONSCIOUSNESS AS TERRORISM: BLOOM ON TRIAL
- CIRCE AND SADOMASOCHISM
- CHANGING SEX
- KINKY
- VISIONARY ENCOUNTERS
- THERE'S NO PLACE LIKE HOME
- CHARACTER AS TOY
- BLOOM THE CIPHER
- PHILOSOPHY IN THE BEDROOM
- A WOMB WITH A VIEW
- MERCURIAL MOLLY
- THE WAY OF ALL FLESH
- ENTERING THE WINE-DARK SEA
- VIRGINIA WOOLF
- YOUR SPREAD-OUT STORY
- WOOLF UP-FRONT
- THE SLIPPERY MRS. WOOLF
- WOMEN'S TOPICS VERSUS MEN'S TOPICS
- MRS. DALLOWAY: PLUNGING INTO LIFE
- LONDON ANTHEM
- INTERRELATIONSHIP
- THE OTHER AS MY PORTRAITIST AND SCRIBE
- YOUR STORY: WHIMSICAL, ELASTIC, FANTASTIC
- THE RETURN OF THE PAST
- LOST LOVE: PETER
- LOST LOVE: SALLY
- PASSION IN ITS PLACE
- WHAT HAVE YOU MADE OF YOUR LIFE?
- THE DEATH OF THE SOUL
- RIPENESS IS ALL: THE GAINS OF AGE
- IT IS CERTAIN WE MUST DIE
- PARTY GIRL
- DAMAGED SEPTIMUS: CLARISSA'S DARK ALTER EGO
- SEPTIMUS THE SEER
- THE DOCTORS ARRIVE
- SEPTIMUS WOOLF: A SELF-PORTRAIT
- UNFOLDING OUR PAST
- RECKONING WITH THE DEAD
- ENDURING MARRIAGE
- MIRACULOUS MRS. RAMSAY
- ANGULAR MR. RAMSAY
- QUESTER
- THE VIOLENCE OF MARRIAGE
- OUR HIDDEN SOUND AND FURY
- FATALISTIC MRS. RAMSAY
- STAMMERING HUMAN CONNECTION: FROM HUSBAND TO WIFE
- A NEW LANGUAGE OF CONNECTION: FROM WIFE TO HUSBAND
- LEAVING THE PRISON OF SELF
- LOSING SELF AND FINDING ECSTSAY
- DINNER AND THE SOCIAL CONTRACT
- WOMEN'S WORK, MEN'S WORK
- A FEAST FOR THE HEART
- TIME PASSES, DEATH REIGNS
- REACHING MRS. RAMSAY
- CAN LOVE DIE?
- HUMAN FEELING: THE MOTOR FORCE OF ART
- ART AND RESURRECTION
- TO THE LIGHTHOUSE
- WILLIAM FAULKNER
- TRAUMA AND COLLAPSE
- FAULKNER UP-FRONT
- BEYOND THE SOUTH
- FAULKNER'S STATURE
- HURRAH FOR THE FRENCH
- FAULKNER AND ME
- THE STRANGE SOUTH
- FAULKNER'S SINS
- LITERATURE AND/AS IDEOLOGY ?
- THE SOUND AND THE FURY: FAULKNER IS BORN
- WHAT WE KNOW, WHAT BENJY KNOWS
- WRITING THE STORY OF LOSS
- TELESCOPIC WRITING
- LIFE WITHOUT LABELS, FICTION WITHOUT EXPLANATIONS
- THE SHAPE OF A LIFE: "HERE CADDIE"
- THE INSIDE WORLD AND THE LAW OF INVISIBILITY
- THE SUICIDE'S STORY
- FAILING THE SOCIAL TEST
- AMBUSHED FROM THE INSIDE
- QUENTIN'S HANG-UPS
- VERBAL INCEST
- THE GHOSTS TAKE OVER
- GOING UNDER
- "I" LIES DYING
- JASON: THE FIRST SANE COMPSON
- FULL OF SOUND AND FURY
- THE LITTLE MAN'S ANGER, THE NOVEL'S HUMOR
- STRUTTING AND FRETTING HIS HOUR UPON THE STAGE
- GOING BEYOND THE FIRST PERSON, BEYOND SUBJECTIVITY
- THIRD-PERSON NARRATIVE: SEEING FROM THE OUTSIDE
- WRITING THE SPIRITUAL
- THE COMEUPPANCE OF JASON COMPSON
- THE EASTER SERMON
- BROTHERS AND SISTERS
- VISION AND WRITING
- THE FAULKNER CURVE: FROM PRIVATE STORY TO HISTORICAL TRAGEDY
- ABSALOM, ABSALOM !: QUENTIN COMPSON REDUX
- A STORY WITH ECHOES
- WRITING HOLOCAUST
- YOUR STORY: HISTORY'S STAGE
- QUENTIN COMPSON: HAUNTED
- GOOD-BYE, SOUTHERN ROMANCE
- THE SUTPEN STORY: INCOHERENT AND IMPERIOUS
- UNRELIABLE ROSA?
- MR COMPSON'S PERSPECTIVE
- THE FAMILY ROMANCE
- THE FABRIC OF HISTORY
- WHY NOT TELL IT STRAIGHT?
- ROSA COLDFIELD: "A MIGHT-HAVE-BEEN WHICH IS MORE TRUE THAN TRUTH"
- HUMAN GARDEN, HUMAN SEED
- LET FLESH TOUCH WITH FLESH
- ROSA AS SUN
- FROM MISSISSIPPI TO MASSACHUSETTS: ENTER SHREVE
- TWO BOYS IN A DORMITORY: A MARRIAGE OF SPEAKING AND HEARING
- SUTPEN'S PAST
- KEEPING YOUR STORY OPEN, MAKING YOUR WORDS REAL
- SUTPEN'S DESIGN AND INNOCENCE
- SUTPEN'S TRAGIC FLAW
- THE HORRENDOUS LOGIC OF SUTPEN'S FALL
- THE OVERPASS TO LOVE
- BECOMING CHARLES BON
- FOUR BOYS ON TWO HORSES
- OVERPASS TO DEATH
- TONI MORRISON
- TOXIC STORY
- MORRISON UP-FRONT
- MORRISON AND THE MODERNIST LEGACY
- SULA: MORRISON'S INDIVIDUALIST FANTASIA
- MURDEROUS LOVE, CREATURES OF FABLE
- NIETZSCHEAN SULA
- REIMAGINING FREEDOM: BELOVED
- THE WALKING WOUNDED AND THE AMNESIACS
- RECOVERING YOUR STORY?
- PROUST REDUX
- JOYCE REDUX
- WOOLF REDUX
- FAULKNER REDUX
- ENTER THE GHOST
- THE HEART: A CLOSED TOBACCO TIN
- INSIDE: OFF-LIMITS
- THE BIRTH STORY
- ANYTHING DEAD COMING BACK TO LIFE HURTS
- SPIRIT BECOMES FLESH
- UMBILICAL WORLD
- RED HEART
- DISMEMBERING, REMEMBERING
- THE HOLY BODY
- THE MILK OF HUMAN KINDNESS
- LETHAL LOVE
- THROUGH THE VEIL
- THE COSMOLOGY OF "THICK LOVE"
- THE MYSTERY OF BELOVED
- THE REUNITED FAMILY: INSATIABLE NEEDS
- WHY ALL THE BELOVEDS?
- ENTER THE COMMUNITY, EXIT THE GHOST
- BEYOND SELF
- BIBLIOGRAPHY
- ACKNOWLEDGMENTS
- CONCLUSION
- ABOUT THE AUTHOR
- ALSO BY ARNOLD WEINSTEIN
- COPYRIGHT PAGE
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