
Line Games
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
More details
Other editions
Additional editions

Content
- Intro
- Introduction
- About the Author
- Chapter 1 - Basic Hexatonic Scales for Jazz Improvisation
- The types of basic hexatonic scales
- A system to create hexatonic melodies
- Positional hexatonic scale fingerings
- Long three-octave fingerboard patterns
- Some thoughts on HOW to practice the exercises
- Applying the hexatonics to altered V7 chords resolving to I chords
- Applying hexatonics to complete II-V-I progressions
- Applying hexatonics using the 13susb9 sound and its harmonic implications
- Applying hexatonics to II-V-I in minor tonality
- Applying hexatonics with cycle motion
- Applying hexatonics with descending half-step motion
- Applying hexatonics with tritone motion
- "Editing" eighth-note lines
- Applying hexatonics to II-V-I in three-four time
- Applying hexatonics to II-V-I with only two beats per change
- Fingering and rhythmic variations
- The compatibility of hexatonics with wholetone and diminished scales
- A sample chorus on a popular standard demonstrating hexatonics
- Chapter 2 - Using Chromatics to Improvise "Inside" Conventional Chords
- Chromatics added to hexatonic lines
- Using other chromatic notes added to hexatonic lines
- Adding chromatic notes to conventional scale patterns
- Diatonic triads and seventh chords with added chromatics
- Using added chromatic notes on tonic triads
- Practicing the chromatically embellished triads
- Exercises on chromatically embellished ninth chords
- Introducing the "bebop scales"
- Bebop dominant scale exercises
- Bebop major scale exercises
- More forms and keys for the bebop dominant and major scales
- Exercises on the bebop melodic minor scale
- "Inside" chromatic wrap-up
- Chapter 3 - Hexatonics Revisited: Mutually-Exclusive Triad-Pairs
- Positional fingerings for the major whole-step pair
- Special patterns combining adjacent positions
- Long fingerboard patterns for the major whole-step pair
- Some lines derived from the major whole-step pair
- A brief look at some other triad pairs
- Chapter 4 - Four-Note Arpeggios and Pluralities
- Table of pluralities
- Forms for four-note arpeggios
- Alternate fingerings for the long forms
- Applying the four-note arpeggio pluralities to a standard chord progression
- Chapter 5 - "Loose Ends"
- Running arpeggio pattern sequences through a standard chord progression
- Using chromatic voice-leading to build long lines
- Building lines on "skeleton" melodies
- Solo breaks and other ways to start a solo
- Thematic development
- Epilogue - Introduction to "Cellular" Improvisation
- Fast-Moving Dominant Cycles
- Other Topics
System requirements
File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.