Depression Glass
Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams
1st Edition
Published on 4. February 2014
174 pages
978-1-135-49327-1 (ISBN)
Description
First Published in 2006. This is part of the literary critcism and cutlural theory collection. Situated within the larger narrative of the symbiosis between photography and modern poetry in America during the 1930s, each text examined by the author is a discrete object constituting a series of empirical statements, expressing certain empirical truths particular to its time and place.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Product notice
Reflowable
Illustrations
18 s/w Abbildungen
18 Illustrations, black and white
File size
0,98 MB
ISBN-13
978-1-135-49327-1 (9781135493271)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Monique Vescia
Depression Glass
Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams
Book
06/2015
1st Edition
Routledge
€38.50
Shipment within 10-20 days
Monique Vescia
Depression Glass
Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams
Book
12/2005
1st Edition
Routledge
€67.20
Shipment within 15-20 days
Person
Monique Claire Vescia
Content
Acknowledgments Preface List of Figures Introduction Chapter 1: The Poem in a Climate of Fact Chapter 2: Documentary Matters: Charles Reznikoff's 1934 Testimony Chapter 3: The Lyrical Apertures of George Oppen's Discrete Series Chapter 4: Machines for Seeing: William Carlos Williams's Collected Poems 1921-1931 Bibliography Index
