Music and the Renaissance
Renaissance, Reformation and Counter-Reformation
Published on 5. July 2017
608 pages
978-1-351-55750-4 (ISBN)
Description
This volume unites a collection of articles which illustrate brilliantly the complexity of European cultural history in the Renaissance. On the one hand, scholars of this period were inspired by classical narratives on the sublime effects of music and, on the other hand, were affected by the profound religious upheavals which destroyed the unity of Western Christianity and, in so doing, opened up new avenues in the world of music. These articles offer as broad a vision as possible of the ways of thinking about music which developed in the fifteenth and sixteenth centuries.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
File size
38,56 MB
ISBN-13
978-1-351-55750-4 (9781351557504)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
10/2024
1st Edition
Routledge
€59.60
Shipment within 10-20 days
Book
08/2011
1st Edition
Routledge
€519.95
Shipment within 10-20 days
Person
Philippe Vendrix is Director of the Center for Advanced Studies of the Renaissance, Francois-Rabelais University Tours, France
Content
Contents: Introduction: defining the Renaissance in music; Part I The Idea of a Musical Renaissance: Music, humanism, and the idea of a 'rebirth' of the arts, Reinhard Strohm; Music historiography and the definition of 'Renaissance', Jessie Ann Owens; Zum Paradigmenwechsel in der Musik der Renaissance: vom numerus sonorus zur musica poetica, Klaus Wolfgang NiemA?ller; Les humanistes florentins et la polyphonie liturgique, Giovanni Zanovello; Some English poems in praise of music, James Hutton; Number to sound: introduction, Paolo Gozza. Part II Reforme and Contre-Reforme: Music and religion in early modern European history, Helmut Georg Koenigsberger; Huldrych Zwingli - der Musiker, Hannes Reimann; Luther's theological understanding of music, Robin A. Leaver; The origins of Calvin's theology of music, 1536-1543, Charles Garside Jr; Liturgical necessity in the English Church, Robin A. Leaver; Music and the early Jesuits (1540-1565), Thomas D. Culley and Clement J. McNaspy; The Council of Trent revisited, Craig A. Monson; The repertory of the Papal chapel and the Counter-Reformation, Mitchell P. Brauner; Between stage and divine service: Jesuits and theatrical music, Franz KA?rndle; Name index.
