Formal Functions in Perspective
Essays on Musical Form from Haydn to Adorno
1st Edition
Published on 1. November 2015
464 pages
978-1-78204-597-7 (ISBN)
Description
Presents thirteen studies that engage with the notion of formal function in a variety of ways
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Steven Vande Moortele | Julie Pedneault-Deslauriers | Nathan John Martin
Formal Functions in Perspective
Essays on Musical Form from Haydn to Adorno
Book
11/2015
University of Rochester Press
€175.70
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Persons
Huebner Steven:
STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada.
STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada.
Content
Acknowledgments
Introduction
"Functional Formanality": Twisted Formal Functions in Joseph Haydn's Symphonies - L. Poundie Burstein
Mozart's Sonata-Form Arias - Nathan John Martin
Formal Type and Formal Function in the Postclassical Piano Concerto - Julian Horton
Saint-Saen's Cyclic Forms - Andrew Deruchie
Schubert's "Deflected-Cadence" Transitions and the Classical Style - Brian Black
"Heavenly Length" in Schubert's Instrumental Music - Francois de Medicis
Sentences in the Lieder of Robert Schumann:The Relation to the Text - Harald Krebs
Parlante Talk: Texture and Formal Function in the Operas of Verdi - Steven Huebner
Discipline and Punish among the Winds in the First Movement of Beethoven's First Symphony - Henry Klumpenhouwer
Laborious Homecomings: The "Ongoing Reprise" from Clementi to Brahms - Giorgio Sanguinetti
Dominant Tunnels, Form, and Program in Schoenberg's Verklärte Nacht - Julie Pedneault-Deslauriers
Form and Serial Function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph Neidhofer
The Philosopher as Theorist: Adorno's materiale Formenlehre - Steven Vande Moortele
Afterword - Janet Schmalfeldt
Introduction
"Functional Formanality": Twisted Formal Functions in Joseph Haydn's Symphonies - L. Poundie Burstein
Mozart's Sonata-Form Arias - Nathan John Martin
Formal Type and Formal Function in the Postclassical Piano Concerto - Julian Horton
Saint-Saen's Cyclic Forms - Andrew Deruchie
Schubert's "Deflected-Cadence" Transitions and the Classical Style - Brian Black
"Heavenly Length" in Schubert's Instrumental Music - Francois de Medicis
Sentences in the Lieder of Robert Schumann:The Relation to the Text - Harald Krebs
Parlante Talk: Texture and Formal Function in the Operas of Verdi - Steven Huebner
Discipline and Punish among the Winds in the First Movement of Beethoven's First Symphony - Henry Klumpenhouwer
Laborious Homecomings: The "Ongoing Reprise" from Clementi to Brahms - Giorgio Sanguinetti
Dominant Tunnels, Form, and Program in Schoenberg's Verklärte Nacht - Julie Pedneault-Deslauriers
Form and Serial Function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph Neidhofer
The Philosopher as Theorist: Adorno's materiale Formenlehre - Steven Vande Moortele
Afterword - Janet Schmalfeldt
