
Sensuous Unity of Art and Science
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Content
- Cover
- Sensuous Unity of Art and Science: The Times of Rudolf II
- Series
- Sensuous Unity of Art and Science: The Times of Rudolf II
- Copyright
- Contents
- Series Editors Preface
- Introduction: Sensuality of Generalized Knowledge
- NOTE
- I. THE HISTORICAL BACKGROUND: RUDOLFINE PRAGUE AS AN OASIS OF ART AND SCIENCE
- 1. The Political Cradle for Rudolf II: Tensions in the Holy Roman Empire
- EUROPE IN THE SECOND HALF OF THE 16th CENTURY
- The Social Structure of the Governance
- The Augsburg Settlement: Leading to Decades of Uneasy Truce
- The Long Turkish War: Success by Avoidance
- The Beginning of the End: Habsburgs's Power Struggle Inside the Family Clan
- CONCLUSION: OPENING AND CLOSING OF THE POLITICAL LANDSCAPE AS A CHANCE FOR ARTS AND SCIENCES
- REFERENCES
- NOTES
- 2. The Union of the Opposites: Rabbi Loew, The Maharal of Prague
- A GOLDEN AGE
- THE MAHARAL OF PRAGUE
- THINKING WITH THE MAHARAL
- A Dynamic View: Process, Creativity, and History
- The Union of the Opposites
- Horizontal Axis: Ethics and Plurality
- Vertical Axis-Knowledge as Process
- The Diagonal-Being Engaged in Dialogue
- THE GOLEM
- THE GENERATIVITY OF THE MAHARAL'S IDEAS
- ACKNOWLEDGMENT
- REFERENCES
- NOTES
- II. THE LIMINAL ZONE: ART, ALCHEMY, AND SCIENCE INTERTWINED
- 3. Art and Political Power in Dialogue: The Emperor's Choice
- How Could Rudolf II Emerge?
- Back to Vienna: Quick Upward Mobility
- The Last Decades of the 16th Century: Golden Era for Arts and Sciences
- The Basic Ambivalence: Fear of the Other Gender
- THE FUNCTION OF ALLEGORIES: MAKING OF THE HYPER-GENERALIZED ATMOSPHERES
- UNIFYING OPPOSITES: BLENDING HERMES AND ATHENA
- THE EXTENDED EYES OF THE EMPEROR: COURT ARTISTS AS INFORMANTS
- Emperor's Endgame
- CONCLUSION: CREATIVITY IN ARTS AND SCIENCE AS RESULTING FROM HYPER-GENERALIZED AMBIVALENCES
- REFERENCES
- NOTES
- 4. Harmony of the World and the Ambivalence of the Other
- HARMONY AND NON-HARMONY UNITED: AMBIVALENCE OF LIVING
- THE POWER OF WOMEN: REMINDERS OF ROLE REVERSALS
- CONCLUSIONS: THE EROTIC HARMONY OF THE WORLD THAT DID NOT STAY
- REFERENCES
- NOTES
- 5. The Development of Psychological Polyphony in the Liminal Area of the Rudolfine Court: The Case of Kepler's Music of the Spheres and Maier's Atalanta Fugiens
- The Cultural Context at the Court of Emperor Rudolf II and the Prominence of Ancient Esoteric Traditions
- The Music of the Spheres of Pythagoras and the Innovative Contribution of Johannes Kepler
- Primacy of Geometry
- The Symbolic and Polyphonic Composition of Michael Maier's Atalanta Fugiens
- Final Discussions and Semiotic Considerations
- REFERENCES
- NOTES
- 6. Creating Glory Out of Miseries: Anatomy of the Making of Visual Allegories
- BUILDING THE GLORY: ALLEGORIES OF DIVINE SUPPORT
- Depicting the Declaration of the Long War: The Constantinople Encounter
- The Battle of Mezokeresztes: From Confusion to Glory
- The Battle of Goroszló (Guruslau in Romanian)
- SEMIOTIC CONSTRUCTION OF ALLEGORICAL HYPER-GENERALIZATION
- REFERENCES
- NOTES
- IV. GROWTH OF IDEAS
- 7. The Emerging Science: Art and Astronomy in the Making of a Gendered "Knowledge Society"
- Tensions For Sciences: Innovations Within Harmony
- Observing the World, Assuming Creation
- The Male Astronomers and the Femininity of the Celestial Goddesses
- IMAGINATIVE INVESTIGATION INTO NATURE
- Intuitive Realism: Rudolfian Solution for Unity of Art and Science
- CONCLUSION: POESIS OF EINFÜHLUNG AS A KEY TO SCIENCE
- REFERENCES
- NOTES
- 8. Let a Hundred Flowers Blossom: The Intellectual Atmosphere Around the Rise of Psychology in the 16th Century
- The First Use of the Term Psychology
- Not Aristotle, but Plato
- The Activities at the Court of Rudolph II
- Tycho Brahe and Johannes Kepler
- Kepler's Discoveries and Psychological Factors
- Johann Crato von Kraftheim
- Traces of Psychology at the Court of Rudolph II
- Conclusions
- REFERENCES
- NOTE
- 9. Between Art and Infinity: Principles of Geometric Generalization
- GENERALIZATION: THE IMPORTANCE OF ABSTRACTIVE LOSS
- Qualitative Generalization on a Geometric Basis
- Learning From the Frame: Extending the Whole
- Principles of Geometric Generalization: Bounded Extension of Contexts
- GENERAL CONCLUSION: TO UNDERSTAND IS TO GENERALIZE
- REFERENCES
- NOTES
- General Conclusion: The Decline of the Empire and Freedom Through Art
- The Ascent and Decline of the Social Order: Where Intellectual Oases Are Made
- Continuity and Break of Principles
- Art as Freedom
- Freedom as Art
- REFERENCES
- NOTES
- About the Authors
- EDITOR
- AUTHORS
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