
Writing the Self, Creating Community
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Content
- Intro
- Contents
- Acknowledgments
- Introduction
- Part I. Writing a Community
- 1: Empowering Germany's Daughters:On the Pedagogical Program and the Poetic Techniques of Sophie von La Roche
- 2: "Ich spreche lieber von guten Büchern": Sophie von La Roche's Concept of Female Authorship and Readership
- 3: Challenging Female Ideals:Marie-Elisabeth de La Fite's Translation of Sophie von La Roche's Geschichte des Fräuleins von Sternheim
- 4: Catherine II, Polyxene Büsching, and Johanna Charlotte Unzer: A Literary "Community of Practice"
- Part II.Writing the Self
- 5: Ghostwriters: The Apparitional Author in Benedikte Naubert's "Die Weiße Frau" (1792) and Sophie Albrecht's Das Höfliche Gespenst (1797)
- 6: Vampirism Inverted: Pathology,Gender, and Authorship in Karoline von Günderrode's "Die Bande der Liebe"
- 7: "Wozu eine Amazonen-Literatur?"Literary Creativity and Productivity in the Writings of Helmina von Chézy
- 8: Women Writers and the Märchenoma:Foremother, Identity, and Legacy
- Part III.Writing toward Emancipation
- 9: The Illegitimacy of Authorship and the Legitimization of Passion in Agnes von Lilien
- 10: The Politics of the Female Body in Louise Aston's and Fanny Lewald's Writings through the Prism of the Romantic Theory of Sociability and Dialogue
- 11: Weibliche Irrsterne: Louise Otto and the Notion of Female Genius in Nineteenth-Century Germany
- Bibliography
- Contributors
- Index
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