
Tracing Henry James
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Content
- Intro
- Contents
- Editors' Introduction
- Creating Scholarly Community
- Henry James and the United States
- Henry James's Shorter Fiction
- Symptom or Idea?
- What's in a Name?
- The Fan and the Idol
- Obsessed with James
- Henry James's Longer Fiction
- Henry James and Ford Madox Ford
- Anti-Touristic Sentiment and the Decay of Venice in Henry James's The Aspern Papers and The Wings of the Dove
- Merton Densher and Heteronormative Masculinity at the Turn of the Century
- "Romancing Venice: The Courtship of Percy Shelley in James's The Aspern Papers"
- In the Instant, the Age
- Fathers and Daughters in James
- Tracing the Venetian Masters in Henry James
- Tangible Objects: Grasping "The Aspern Papers"
- Sociability of Terror in The Princess Casamassima
- "Raking it up": John Drury's Burning the Aspern Papers
- The American Scene and Henry James's Travel Essays
- The "Alien" Section of The American Scene
- Listening to New York in The American Scene
- Impressions and Aliens
- Henry James's Alphabet of Impressions
- "The Catalogues Are Finished"
- James's Melancholy "London"
- Henry James and Criticism
- O O O O that Ja-hamesian Rag / It's so elegant / So intelligent
- James, Ruskin, and The Stones of Venice
- Critical Footprints: Tracing a Jamesian Practice
- Hippolyte Taine and Henry James's Early Literary Criticism
- "Liking" Henry James: the Pedagogical Limits of Political Criticism
- Tintoretto and James
- Henry James's Letters
- Epistolary Fluidity
- What's New in Henry James's Letters
- Index
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