
Revisiting the Codex Buranus
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Content
- Front cover
- Studies in Medieval and Renaissance Music
- Codex Buranus, front flyleaf
- Contents
- List of Illustrations
- Acknowledgements
- Abbreviations
- Introduction: The Codex Buranus - A Unique Challenge
- A Modern Reception History of the Codex Buranus in Image and Sound
- Parody in the Codex Buranus
- Satire in the Codex Buranus
- 'Artes amatorie iam non instruuntur': Learned and Erotic Discourse in the Carmina Burana
- Classical Learning and Audience in the carmina amatoria: A Case-Study on CB 92
- Rape, the Pastourelle, and the Female Voice in CB 185
- Rethinking the Carmina Burana III: The Poetry of Peasants
- Predestination and God's Grace: The Salvific Architecture of the Religious Songs in the Codex Buranu
- Revisiting the Plays of the Codex Buranus
- Revisiting the Music of the Codex Buranus
- Locating the Codex Buranus: Notational Contexts
- Plurilingualism in the Codex Buranus: An Intercultural Reconsideration
- Compilation, Contrafacture, Composition: Revisiting the German Texts of the Codex Buranus
- Afterword: multiformis armonia, scolaris symphonia
- List of Manuscripts
- Bibliography
- Index of Primary Texts
- General Index
- Studies in Medieval and Renaissance Music
- Illustration 0.1. Texts of the Codex Buranus, by number
- Illustration 0.2. Texts of the Codex Buranus, by incipit
- Illustration 1.1. Orff's use of the Codex Buranus
- Illustration 1.2. Arrangement of voices in (22) Tempus est iocundum
- Illustration 1.4. Most performed songs from the Codex Buranus
- Illustration 1.5. Corvus Corax's use of the Codex Buranus
- Illustration 2.1. CB 62 and CB 197
- Illustration 6.1. CB 185: Ich was ein kint so wol getân
- Illustration 8.1. CB 43 and CB 44: fols 10v-11r
- Illustration 9.1. The tradition of eundo and redeundo chants
- Illustration 10.1. Notation in the Codex Buranus
- Illustration 10.2. Songs notated by n1
- Illustration 10.3. Space for notation in the corpus of n1
- Illustration 10.4. Concordances for the unnotated repertoire of n1
- Illustration 10.5. Synoptic transcription of CB 119 (from Lammers, 221-22)
- Illustration 10.6. Synoptic transcription of CB 108 (from Lammers, 218-19)
- Illustration 10.7. Songs notated by n2
- Illustration 10.8.Synoptic transcription of CB 19 (from Lammers, 247-48)
- Illustration 10.9. Synoptic transcription of CB 14 (from Lammers, 243-44)
- Illustration 10.10. Songs notated by n4
- Illustration 10.11. 'Chorus' and 'chorea' in the Codex Buranus
- Illustration 10.12. Synoptic transcription of CB 151 (from Lammers, 292)
- Illustration 10.13. A selection of traditional Romanian music genres
- Illustration 10.17. Vocal sârba, melodic progression after George Breazul
- Illustration 11.1. The Prince-Bishops of Brixen
- Illustration 11.2. Klosterneuburg, Augustiner-Chorherrenstift, MS 1012, f. 12r (detail)
- Illustration 11.3. Vienna, Österreichische Nationalbibliothek, MS 13.314, f. 30r (detail)
- Illustration 11.4. Comparison of selected neumes between MS 13.314, MS 1717, and the Codex Buranus (n1 and n2)
- Illustration 11.5. Vienna, Österreichische Nationalbibliothek, MS 1717, f. 197r (detail)
- Illustration 11.6. Comparison of CB 131, f. 54r (left) and Klosterneuburg, Augustiner-Chorherrenstift, MS 73, f. 40r (right)
- Illustration 11.7a. Stuttgart, Württembergische Landesbibliothek, MS HB I 95, f. 33v
- Illustration 11.7b. Graz, Universitätsbibliothek, MS 756, f. 194v
- Illustration 11.8. Comparison of Codex Buranus, f. 5r (left) and Vienna, Österreichische Nationalbibliothek, MS 1890, f. 7v (right)
- Illustration 11.9a. Bozen, Staatsarchiv, MS 147, Calendarium Wintheri, f. 1r
- Illustration 11.9b. Bozen, Staatsarchiv, MS 147, Calendarium Wintheri, f. 19r
- Illustration 11.10. Bozen, Staatsarchiv, MS 147, f. 28r
- Illustration 11.11. Office for St Catherine, Matins
- comparison of Bozen, MS 147 and Klosterneuburg, Stiftsbibliothek, MS 589
- Illustration 11.12. Comparison of Virgo sancta dei Katherina: Bozen, MS 147, f. 33v, and Vienna, Österreichische Nationalbibliothek, MS 1799**, ff. 223v-34r
- Illustration 11.13. Comparison of Codex Buranus
- Bozen, MS 147
- and Vienna, MS 1890
- Illustration 11.14. Comparison of Vienna, MS 13.314
- Vienna, MS 1717
- and Klosterneuburg, MS 73
- Illustration 11.15. Comparison of Codex Buranus, f. 50r (left) and Bozen, Hs. 147, f. 35v (right)
- Illustration 12.1a. Codex Buranus, f. 36v
- Illustration 12.1b. Codex Buranus, f. 64r
- Illustration 12.2. El Escorial, Real Biblioteca de San Lorenzo de El Escorial, MS Z. II. 2, f. 287r
- Illustration 13.1. The German materials in the Codex Buranus
- Scribes and concordances based on Hilka/Schumann
- MS sigla according to Abbreviations
- Illustration 13.2. CB 48 (ff. 13v, 14r)
- Illustration 13.3. CB 48: text and translation
- Illustration 13.4. Hoerstu friunt in the Kleine Heidelberger Liederhandschrift (ff. 23r/v)
- Illustration 13.5. Hoerstu friunt: comparative transcription
- Illustration 13.6a. CB 151 (f. 61r)
- Illustration 13.6b. CB 151 (f. 61v)
- Illustration 13.7a. CB 169 (f. 68r)
- Illustration 13.7b. CB 170 (f. 68v)
- Illustration 13.8. CB 151 and CB 169: metrical analysis and translation
- Illustration 13.9. CB 151: neumes in first line
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