
Making the Stage
Description
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Content
- Intro
- Table of Contents
- Introduction
- Building the Aural Stage
- The Disembodied Voice
- Spacing Out
- Resurrecting John Milton
- Parlor Tricks
- Bringing the Revolution to the Stage
- Images, Evidence, and Spectatorship in Caryl Churchill's Far Away
- The Pillowman and Representations of Violence
- Reconstructing the Real
- "This Story Has More Other Hands Than a Hindu God"
- Technology, History, and Postmodernism in Howard Brenton's HID
- Performing, Playing, Politicking
- African Theatre for Development in America's Heartland
- Contributors
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
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