
Experiments in Democracy
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Content
- Cover Page
- Title Page
- Copyright Page
- Contents
- List of Illustrations
- Introduction: Public Laboratories of Pluralism
- 1. Trying on The Yellow Jacket: Performing Chinese Exclusion and Assimilation (1912-28)
- 2. Jazz, Jews, and Modernism on Broadway: From Lady, Be Good! to Show Boat (1924-27)
- 3. Reconfiguring Race and Citizenship: The Teatro Vernáculo of La Unión Martí-Maceo (1930-40)
- 4. A Cosmogony for the Marginalized: Lynn Riggs, Mythmaking, and Multiracial-Homosexual Apologetics (1931-32)
- 5. Moving the World toward Brotherhood: Representations of Cultural "Otherness" in the Theatre Union's Black Pit (1935)
- 6. (Re)Visioning Mexican Intellectual and Peasant Life: Josefina Niggli's Plays with the Carolina Playmakers (1936-38)
- 7. The Politics of Black Masculinity in Theodore Browne's Natural Man (1937)
- 8. Choreographing Diversity and American Experience: Myra Kinch and Group, Federal Theatre Project (1937-39)
- 9. Imagined Democracy: The Federal Theatre Project Performs (Native) America (1938-39)
- 10. "Ethnic Americanism" versus Isolationism: Pluralistic Antifascism in "Fun to Be Free" (1941)
- 11. "Spain . . . Brought Me Back to America": Ghostings of Other Races in Paul Robeson's Othello and José Ferrer's Iago (1943)
- 12. Turning "Negroes" into "People" Onstage: Anna Lucasta in Harlem and on Broadway (1944)
- 13. The Stage Door Canteen: The American Theatre Wing's Experiment in Integration (1942-45)
- Afterword: American Democracy-a Work in Progress
- Contributors
- Index
- Back Cover
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