
Plastic Reality
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Turnock analyzes the far-reaching impact of the convincing, absorbing, and seemingly unlimited fantasy environments of that year's iconic films, dedicating a major section of her book to the unparalleled innovations of Star Wars and Close Encounters of the Third Kind. She then traces these films' technological, cultural, and aesthetic influence into the 1980s in the deployment of optical special effects as well as the "not-too-realistic" and hyper-realistic techniques of traditional stop motion and Showscan. She concludes with a critique of special effects practices in the 2000s and their implications for the future of filmmaking and the production and experience of other visual media.
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Content
Acknowledgments
Introduction
Part I: Before 1977
1. Optical Animation: Special Effects Compositing Up to 1977
2. Before Industrial Light and Magic: The Independent Hollywood Special Effects Business, 1968-1975
Part II: Circa 1977: Star Wars and Close Encounters of the Third Kind
3. The Expanded Blockbuster: The Auteurist Aesthetics of 1970s Special Effects-Driven Filmmaking
4. "The Buck Stops at Opticals": Special Effects Technology on Star Wars and Close Encounters of the Third Kind
5. A More Plastic Reality: The Design and Conception of Star Wars and West Coast Experimental Filmmaking
6. "More Philosopical Grey Matter": The Production and Aesthetic of Close Encounters of the Third Kind
Part III: The 1980s and Beyond
7. Optical Special Effects into the 1980s: A Well-Oiled Machine
8. "Not-too-Realistic" and Intensified Realistic Approaches in the 1980s: Traditional Stop Motion and Showscan
Conclusion: World-Building and the Legacy of 1970s Special Effects in Contemporary Cinema
Notes
Bibliography
Index
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File format: ePUB
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use a reading software that can process the file format ePUB: e.g., Adobe Digital Editions or FBReader – both free (see eBook Help).
- Tablet/Smartphone (Android; iOS): Before downloading, install the free app Adobe Digital Editions (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePUB works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.