
Transnational Cinematography Studies
Description
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Persons
Daisuke Miyao isprofessor and Hajime Mori Chair in Japanese Language and Literature at the University of California, San Diego.
Roberto Schaefer is member of the Academy of Motion Picture Arts and Sciences, BAFTA, the ASC, AIC and IMAGO.
Content
Introduction by Daisuke Miyao
Chapter 1: Leviathan, by Lindsay Coleman
Chapter 2: Five Functions of Camera Movement in Narrative Cinema, by Jakob Isak
Nielsen
Chapter 3: À Travers: The Cinematography of Depth in Japan, by Daisuke Miyao
Chapter 4: The Eyes of the World: Christopher Doyle, Anthony Dod Mantle, Roger
Deakins and the Emergence of a Transnational Cinematic Language, by Evan
Lieberman
Chapter 5: What Does it Mean to Say that Cinematography is Like Painting with Light?,
by Patrick Keating
Chapter 6: Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese Creative Team,
by Peter H. Rist
Chapter 7: The Making of Hong Kong: The Texture of Cinema, by Carlos Rojas
Chapter 8: The Transnational Gothic Visions of Luis Buñuel and Gabriel Figueroa,
by Ceri Higgins
Chapter 9: Gravity and the 'Lighting Designer' Controversy: Cinematographers, Special
Visual Effects Artists and the Rhetoric of Digital Convergence, by Julie Turnock
About the Ed
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