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Content
- Cover
- Title
- Copyright
- Contents
- Acknowledgments
- Notes on the Edition
- Introduction by Larry Polansky
- 1.On the Development of the Structural Potentialities of Rhythm, Dynamics, and Timbre in the Early N
- 2. Meta / Hodos (1961)
- 3. Computer Music Experiences, 1961-1964 (1964)
- 4. On the Physical Correlates of Timbre (1965)
- 5. Excerpts from "An Experimental Investigation of Timbre-the Violin" (1966)
- 6. Form in Twentieth-Century Music (1969-70)
- 7. META Meta / Hodos (1975)
- 8. The Chronological Development of Carl Ruggles's Melodic Style (1977)
- 9 Hierarchical Temporal Gestalt Perception in Music A Metric Space Model (with Larry Polansky) (1978
- 10. Introduction to "Contributions toward a Quantitative Theory of Harmony" (1979)
- 11. The Structure of Harmonic Series Aggregates (1979)
- 12. John Cage and the Theory of Harmony (1983)
- 13. Reflections after Bridge (1984)
- 14. Review of Music as Heard by Thomas Clifton (1985)
- 15. About Changes: Sixty-Four Studies for Six Harps (1987)
- 16. Darmstadt Lecture (1990)
- 17. The Several Dimensions of Pitch (1993/2003)
- 18. On "Crystal Growth" in Harmonic Space (1993/2003)
- 19. About Diapason (1996)
- Appendix 1. Pre-Meta / Hodos (1959)
- Appendix 2. On Musical Parameters (ca. 1960-61)
- Appendix 3. Excerpt from A History of 'Consonance' and 'Dissonance' (1988)
- Publication History
- Notes
- Index
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