Beyond Exoticism
Western Music and the World
1st Edition
Published on 5. March 2007
328 pages
978-0-8223-8997-2 (ISBN)
Description
Study of how systems of power and domination have shaped representations of otherness in music.
More details
Series
Language
English
Place of publication
Durham, NC
United States
Target group
Professional and scholarly
Edition type
Digital original
Illustrations
16 illustrations, 3 tables, 5 figures
16 illustrations, 3 tables, 5 figures
File size
1,62 MB
ISBN-13
978-0-8223-8997-2 (9780822389972)
Schweitzer Classification
Other editions
Additional editions
Book
03/2007
Duke University Press
€135.50
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Book
03/2007
Duke University Press
€34.00
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Persons
Timothy D. Taylor is Professor of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of Strange Sounds: Music, Technology, and Culture and Global Pop: World Music, World Markets.
Content
List of Music Examples ix
List of Figures and Tables xi
Acknowledgments xiii
Introduction: Beyond Exoticism 1
Part I: Colonialism and Imperialism 15
1. Colonialism, Modernity, and Music: Preliminary Notes on the Rise of Tonality and Opera 17
2. Peopling the Stage: Opera, Otherness, and New Musical Representations in the Enlightenment 43
3. The Rise of Imperialism and New Forms of Representation 73
Part II: Globalization 111
Introduction to Part II / Globalization as a Cultural System 113
4. Consumption, Globalization, and Music in the 1980s and After 123
5. Some Versions of Difference: Discourses of Hybridity in Transnational Musics 140
6. You Can Take "Country" out of the Country, but It Will Never Be "World" 161
7. World Music in Television Ads 184
Conclusions: Selves/Others, History, and Culture 209
Notes 213
Bibliography 261
Indez 291
List of Figures and Tables xi
Acknowledgments xiii
Introduction: Beyond Exoticism 1
Part I: Colonialism and Imperialism 15
1. Colonialism, Modernity, and Music: Preliminary Notes on the Rise of Tonality and Opera 17
2. Peopling the Stage: Opera, Otherness, and New Musical Representations in the Enlightenment 43
3. The Rise of Imperialism and New Forms of Representation 73
Part II: Globalization 111
Introduction to Part II / Globalization as a Cultural System 113
4. Consumption, Globalization, and Music in the 1980s and After 123
5. Some Versions of Difference: Discourses of Hybridity in Transnational Musics 140
6. You Can Take "Country" out of the Country, but It Will Never Be "World" 161
7. World Music in Television Ads 184
Conclusions: Selves/Others, History, and Culture 209
Notes 213
Bibliography 261
Indez 291
