
Text and Act
Description
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Content
- Intro
- Contents
- Author's Note
- INTRODUCTION
- Last Thoughts First
- IN THEORY
- 1. On Letting the Music Speak for Itself
- 2. The Limits of Authenticity: A Contribution
- 3. Down with the Fence
- 4. The Pastness of the Present and the Presence of the Past
- 5. What-or Where-Is the Original?
- 6. The Modern Sound of Early Music
- 7. Tradition and Authority
- IN PRACTICE
- Beethoven
- 8. The New Antiquity
- 9. Resisting the Ninth
- Mozart
- 10. An Icon for Our Time
- 11. A Mozart Wholly Ours
- 12. Old (New) Instruments, New (Old) Tempos
- Bach
- 13. Backslide or Harbinger?
- 14. Facing up, Finally, to Bach's Dark Vision
- 15. The Crooked Straight and the Rough Places Plain
- Antiquarian Innocence
- 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971
- 17. The Price of Literacy, or, Why We Need Musicology
- 18. High, Sweet, and Loud
- 19. Text and Act
- Full Circle
- 20. Stravinsky Lite (Even "The Rite")
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
- Z
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