Musical Signification
Essays in the Semiotic Theory and Analysis of Music
1st Edition
Published on 6. September 2011
XIV, 598 pages
978-3-11-088518-7 (ISBN)
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Series
Edition
Reprint 2011
Language
English
Place of publication
Berlin/Boston
Germany
Publishing group
de Gruyter Mouton
Target group
Professional and scholarly
US School Grade: College Graduate Student
Illustrations
160 Abbildungen
160 ill.
File size
14,73 MB
ISBN-13
978-3-11-088518-7 (9783110885187)
Schweitzer Classification
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04/1995
1st Edition
De Gruyter Mouton
€230.00
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01/1995
1st Edition
De Gruyter Mouton
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Content
- Intro
- Preface
- Theoretical approaches
- Method and system
- Toward a reinterpretation of compositional theory
- Music and antimetaphor
- The sign and music: A reflection on the theoretical bases of musical semiotics
- How philosophical characterizations of a musical work lose sight of the "music" and how it might be put back
- Interpretation and meaning in music
- Music and semantics
- The application of Hjelmslev's glossematics to music
- The musical work as sign: Significative constituents, layers, structure
- Asaf'ev and Tynianov: On some analogies between musicology and the study of literature
- Intonation as a specific form of musical semiosis
- Musical intonation - language of intuition and logic: A contribution to the system of the semiotics of intonation in music
- Empirical studies
- "The voice of the heart": A progressive semiosis on the interval of the sixth
- Pertinence in music
- Meaning and behavior patterns: The creation of meaning in interpreting and listening to music
- On the genesis of the musical sign
- Art evolution in the light of brain asymmetry: A trial of empirical investigation
- A semio-psychological theory of communication in music
- Character and characterization in musical performance: Effects of sensory experience upon meaning
- Tempo deviations and musical signification: A case study
- The pitch of glide-like F0 curves in Votic folksongs
- The concept of hierarchy: A theoretical approach
- Musical pragmatics and computer modelling
- Some relationships between terminology, analytic strategies, and computational methodologies
- Semiotic bases and computer assisted composition: Towards a cognitive model
- Experiments on grammar-based analysis of music
- Analyses of musical styles and texts
- Metaphor in music
- Performative musical acts: The Verdian achievement
- Peirce's "ground" and 19th-century Lieder
- The couples who remain: With reference to "Ici-bas" by Sully Prudhomme and Fauré
- "Apres un rêve": A semiotic analysis of the song by Gabriel Fauré
- The problem of narrativity in the symphonic poem En saga by Jean Sibelius
- Orchestration and form in Leos Janácek's Concertino: An analysis of intratextural interaction
- "Music becomes language": Narrative strategies in El cimarrón by Hans-Werner Henze
- Narrativity and electroacoustic music
- On the sound dimension of prehistoric painted caves and rocks
- The mythical in non-programmatic music
- The symbol of the tree in musical Jugendstil
- Aspects of the "Dance of Death" as a semiotic system
- Authors
- Index
