
Closer Reading
Description
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Among the most prolific and exacting readers of his generation, Stewart is renowned for his virtuosic interventions across a number of humanistic fields, including prose narrative, screen studies, and literary theory. Elected to the American Academy of Arts and Sciences in 2010 and winner of the International Society for the Study of Narrative's prize for Novel Violence (2009), Stewart draws on these varied realms in his intensive readings of enduring works across media - ones worthy of a re-view and a closer look.
Closer Reading, like Stewart's writing more broadly, offers up-close analyses of novels, poetry, cinema, and conceptual art, including chapters on Gerard Manley Hopkins, Charles Dickens, Francis Ford Coppola, Stanley Cavell, and John le Carré. A collection a half-century in the making - yet brimming with critical notes from the vanguard - Closer Reading finds Stewart demonstrating, from sentence to sentence, a sustained rethinking of the value of close reading not just as a methodology but also as a cognitive disposition.
Leaving paranoid, symptomatic, and surface reading to the side, Stewart revels in the workings of sentences and the many senses of media. Such a "prismatic reading" affords insight into the spectrum of interpretation and the bent light of interaction, refraction, and diffraction. To dwell in the astute and generous line of Stewart's inquiry is to experience an exhilaration rare in critical commentary. Featuring full-length essays, including still-potent early publications and accompanied by an entirely new and wide-ranging interview with David LaRocca, Closer Reading provides a deep and satisfying critical survey of and immersion in Garrett Stewart's inimitable oeuvre.
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Persons
David LaRocca is the author, editor, or coeditor of nearly 20 books, including Bandwidths: Reading Across Media with Garrett Stewart (Bloomsbury 2025), Attention Spans: Garrett Stewart, a Reader (Bloomsbury 2024), The Geschlecht Complex (Bloomsbury 2022), and Inheriting Stanley Cavell (Bloomsbury 2020). He has taught philosophy and cinema and held visiting research or teaching positions in the United States at Binghamton University, Cornell University, Harvard University, Ithaca College, the School of Visual Arts, the State University of New York College at Cortland, and Vanderbilt University.
Content
David LaRocca
I. Revisitations
1. Coppola's Conrad: The Repetitions of Complicity
2. The Foreign Offices of British Fiction
3. The Avoidance of Stanley Cavell
II. Renewed Ventures
4. Gerard Manley Hopkins' Phonetic Script
5. Charles Dickens and the Plotting of Punctuation
6. John le Carré's Cinematographic Style
7. Negative Imprints in Conceptual Art
III. Revenant Revisions: "Ghost Reading"
8. Narrative Afterwording: Too Close for Closure
A Dialogue in Diffraction
Garrett Stewart & David LaRocca
Notes on Contributors
Index
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