
Hard Drive
Description
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Shortlisted for the Gay Poetry Lammy Award 2024
When his partner suddenly died, life changed utterly for Paul Stephenson. Hard Drive is the outcome of his revisiting a world he thought he knew, but which had been upended. In poems that are affectionate, self-examining, sometimes funny and often surprised by grief in the oddest corners, the poet takes us through rooms, routines, and rituals of bereavement, the memory of love, a shared life and separation. A noted formalist, with a flair for experiment, pattern and the use of constraints, Stephenson has written a remarkable first book, moving and, despite everything, a hopeful record of a gay relationship. It is also a landmark elegy collection.
Reviews / Votes
'This book is nothing less than Stephenson's loving coronach for Hartman, the speaker of the poems guiding us through the Tartarean territory of grief like a modern-day and at times playful Virgil... Add to this Stephenson's infectious love of words and wordplay and the sound-systems they generate. Each poem is stamped with the hallmark of an incurable logophile.'Richie McCafferey, The Friday Poem 'So often, we see the poet turning away from his subject, but allowing us to see what he's turning from. This is the power of the work and the skill of the poet... It's rare for a work of elegy to achieve such capaciousness and to retain such power.'
Stephen Sexton, Irish Times 'On offer is a masterclass in writing and playing with form - and the poems are playful and humorous as well as brave, heart-stoppingly sad, and sure-footedly accomplished.'
Diana Cant, The Alchemy Spoon 'Hard Drive is not an elegy, or even a clutch of elegies, so much as an attack on grief as a negative signifier of hopelessness.... almost defiant in its determination not to be overwhelmed - or silenced - by the rituals surrounding death.'
?Nigel Jarrett, Acumen 'This is a heart-stopping debut of real emotional force and poetic intelligence. Paul Stephenson approaches the elegy through a kaleidoscopic, inventive, and genuinely moving use of form. The disorientating world of grief is captured with a blade-like precision, and yet Hard Drive is also full of hard-won light. Stephenson looks death in the eyes, and holds his nerve like few others.'
Senn Hewitt 'Like Douglas Dunn's Elegies, Hard Drive is a masterpiece of love and grief. A brilliant and innovative formal poet, Paul Stephenson here applies his great gifts, with heart-breaking clarity and bravery, to the most unfaceable of subjects. The result is poetry of great impact and generosity which, by looking unblinkingly at every aspect of grief, allows us to know our own. The collection is a beautiful hymn to the human capacity for love and, like all great poetry, makes us feel less alone.'
Jonathan Edwards 'Paul Stephenson's debut collection is a wonder. He engages with the subject of grief with wit, intelligence and tenderness - and has imbued so much life and colour into the memory of someone who has passed. This is poetry for anyone who has ever lost someone. Warm and touching, this is poetry that celebrates and mourns those deep connections that we make in life.'
Niall Campbell 'Bereavement is the saddest club to which to belong, the saddest territory to annexe. No one is ever prepared for stepping through this portal of loss. These meticulous and attuned poems spare neither reader nor the poet, nor should they. This collection is a stoic and grounded narrative telling of deep-rooted love and loss, of witness and grief. Grief is cast here as praise and loving appraisal upon the death of a life partner. With mordant and exact wit, with compassion and insight, this poet turns a wry and observing eye and sensibility upon regions of fathomless loss. Formally varied, adept in their imaginal reach, the poems honour life at every juncture, even as they mourn a life and a world thrown into sharp focus by the pitiless light shed by death. Equipoise is achieved throughout between personal and official dimensions (these booby-trapped with forms and documentations) of a death. Paul Stephenson brings all the tender mechanisms of language to sustain the weight of grief: this is an extraordinarily moving and accomplished collection which I know will command the attention it so richly warrants.'
Penelope Shuttle
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Author Photo credit: Elizabeth Jennings
Content
- Front Cover
- About the Author
- Title Page
- Copyright
- Contents
- Anglepoise
- Half Title
- I. Signature
- The Thesis
- What Jean Saw
- The Description of the Building
- Signature
- I tell him about the people
- Other people who died at 38
- My Monarch
- Aperture (Winter Poem)
- Humorous Elbowings
- Masterpiece Theatre
- Not Dead
- Your Name
- Conddolences
- Grief, it's not what it used to be
- The fraction left over is large
- II. Officialdom
- Voicemail
- Officialdom
- Interrogative
- The Train to Sóller
- Cause (2016)
- Grief as Two Sides of the Atlantic Ocean
- Mistake
- The Button
- The Hymn of Him
- Retort
- A Tonic of Stones
- Collecting You from Golders Green
- Namesake
- Letter from America
- A Prayer for Death Admin
- III. Clearing Shelves
- Battleships
- Clearing His Shelves
- The Only Book I Took
- Your novel
- Clinically Proven
- Birkenstocks
- Xylem (The Weight of Learning)
- Bikes in Basements
- Storage Kingdom
- Moving Stuff
- All the Never You Can Carry
- Hard Drive
- The Shortest Day
- Better Verbs for Scattering
- IV. Covered Reservoir
- Architect's Drawers
- Desk
- Cities Beginning with B
- A Word Between Us
- Caldo Verde (Soup with Collard Greens)
- Regret with Massive Orange, Red and Brown Kilim
- Climbing Tbilisi
- The Mid-Morning Dictator, Gori
- Enter the Gyre
- Relationship as Covered Reservoir
- His Nasturtiums / Nasturtiums Him Always
- Boy at the End of a Long Narrow Garden
- Hand Puppets (You at Your Youest)
- V. Intentions
- Loving the Social Anthropologist I
- When we were Jackson Pollock
- I can be happily
- Free Spotify
- On mailing a lock of his hair to America, belatedly
- Checking In
- Intentions
- Loving the Social Anthropologist II
- Nurture
- We weren't married. He was my civil partner.
- St. Pancras
- Grief as Northern French Landscape
- The Once-a-Month Night
- One year on
- VI. Attachment
- Your Brain
- Bad Conference / Attachment
- Writing to Your Mother
- First Drafts
- Putting It Out There
- Snowdrops / Dropbox
- Starchitect (2016)
- Grief as the Preamble of the Maastricht Treaty
- Wedding in Limousin
- Acknowledgements
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