
Colour
Description
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Building on the achievements of Goethe in his Theory of Colour, Rudolf Steiner shows how colour affects us in many areas of life, including our health, our sense of well-being, and our feelings. Distinguishing between 'image' and 'lustre' colours, he lays the foundation, based on his spiritual-scientific research, for a practical technique of working with colour that leads to a new direction in artistic creativity. His many penetrating remarks on some of the great painters of the past are supplemented by a deep concern to see a cultural, spiritual renewal emerge in the present time.
'If you realize', he states, 'that art always has a relation to the spirit, you will understand that both in creating and appreciating it, art is something through which one enters the spiritual world.'
This volume is the most comprehensive compilation of Rudolf Steiner's insights into the nature of colour, painting and artistic creation. It is an invaluable source of reference and study not only for artists and therapists but for anyone interested in gaining an appreciation of art as a revelation of spiritual realities.
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Content
- Intro
- Foreword
- Synopses
- PART ONE: THE NATURE OF COLOUR: The basis for a spiritual-scientific understanding of colour for artists
- Lecture One: Dornach, 6 May 1921 COLOUR EXPERIENCE-IMAGE COLOURS
- Lecture Two: Dornach, 7 May 1921 LUSTRE AND IMAGE
- Lecture Three: Dornach, 8 May 1921 COLOUR IN MATTER-PAINTING OUT OF COLOUR
- PART TWO: SUPPLEMENTARY LECTURES FROM OTHER CYCLES
- Lecture Four: Dornach, 26 July 1914 THE CREATIVE WORLD OF COLOUR
- Lecture Five: Dornach, 1 January 1915 MORAL EXPERIENCE OF THE WORLDS OF COLOUR AND TONE
- Lecture Six: Dornach, 5 December 1920 LIGHT AND DARKNESS-TWO WORLD ENTITIES
- Lecture Seven: Dornach, 10 December 1920 HUMAN LIFE IN THE REALMS OF LIGHT AND WEIGHT
- Lecture Eight: Dornach, 21 February 1923 THE TWO FUNDAMENTAL LAWS OF COLOUR THEORY IN SUNRISE AND SUNSET AND THE BLUE SKY. HEALTH AND ILLNESS IN RELATION TO THE THEORY OF COLOUR
- Lecture Nine: Dornach, 2 June 1923 FROM SPACE PERSPECTIVE TO COLOUR PERSPECTIVE
- Lecture Ten: Dornach, 9 June 1923 SPIRIT AND NON-SPIRIT IN PAINTING-TITIAN'S ASCENSION OF MARY
- Lecture Eleven: Dornach, 29 July 1923 MEASURE, NUMBER AND WEIGHT-WEIGHTLESS COLOUR ESSENTIAL FOR NEW DIRECTION IN PAINTING
- Lecture Twelve: Dornach, 4 January 1924 THE HIERARCHIES AND THE NATURE OF THE RAINBOW
- References
- Notes
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