
Interface Cultures
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
More details
Other editions
Additional editions

Persons
Christa Sommerer, Universität für künstlerische und industrielle Gestaltung Linz, Österreich
ISNI: 0000 0000 7866 1117
Laurent Mignonneau, Universität für künstlerische und industrielle Gestaltung Linz, Österreich
Dorothée King, Hochschule für Gestaltung und Kunst der Fachhochschule Nordwestschweiz, Schweiz
Dorothée King ist Professorin für Kunst- und Designvermittlung und Institutleiterin des Instituts Arts and Design Education an der HGK Basel FHNW.
Content
- Cover Interface Cultures.
- CONTENT
- Interface Cultures - Artistic Aspects of Interface Design
- INFORMATION DESIGN AND SOCIAL MEDIA
- User Experience and Model-based Development of Interactive Artifacts
- Comment Flow: Visualizing Communication Along Network Paths
- Mobile Interaction
- Let us do what we do best! But how can we produce Knowledge by designing Interfaces?
- Software Agents
- Software as Cultureware - Shaping the Vectors of Pervasive Mediacultures
- BIOLOGICALLY INSPIRED INTERFACES
- Nano Vibrational Interfaces
- Packaging Material and Glue for High-Tech
- Evolutionary Algorithms in Support of Creative Architectural Designing
- Designing our Extended Body
- Acar2: The Sequel
- CULTURAL ASPECTS AND AESTHETICS OF INTERACTIVITY
- Tactile Temptations: About Contemporary Art, Exhibitions, and Tactility
- »Not Just Art« - From Media Art to Artware
- Opus Ludens - Towards an Aesthetics of Interactivity
- Research of the Motifs in Interactive Media Art concerning the Visual Aspect
- Decoding Gaze in Immersive and Interactive Media Arts
- Why Do We Need New Interfaces to Understand Cities Better?
- Working On and With Eigensinn - A Neglected Concept and its Impact on Media, Art and Art Education
- Cultural Parasitology - Art in its Sociopolitical Complexity
- STAGE-BASED AND AUDIOVISUAL INTERACTION
- Blurring the Boundaries - Interactions between Choreography, Dance and New Media Technologies
- Body, Space, Movement and Interactive Technologies in the Performance-Installation Passage
- Virtuoso Audiovisual Real-Time Performance
- Interactivity in Stage Performances
- Musical Interfaces for Beginners
- INTERACTIVE ART PRACTICE
- Four Media Archaeological Artworks
- It would have been Fantastic - Between Perfection and Failure
- Everything is so Analog out There
- Multiple Media - Internet (Driven) Works
- Childhood Memories and Interactive Fairytales
- Evolving the Emergent Content Workshop
- Blindspot
- Virtual Knowledge Spaces in the Art Context
- Authors
System requirements
File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.