
Something Complete and Great
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Content
Part I. Translation
Chapter 1. "Willa Cather's Shifting Reactions to the Reception of My Ántonia: What the Letters Tell Us," by Janis P. Stout
Chapter 2. "People in countries who read it in the strangest languages": the International Reception of My Ántonia," by Caterina Bernardini
Chapter 3. "Lost in Translation: The Mother Tongue in My Ántonia," by Diane Prenatt
Part II. Tradition
Chapter 4. "Live Property": Cather's 1926 Revisions to the Introduction of My Ántonia and the Specter of Nineteenth-Century Women's Regionalism," by Melissa J. Homestead
Chapter 5. "Violence in the Pastoral: Darkness in the Narrative Structure of My Ántonia," by Sarah L. Young
Part III. Transgender
Chapter 6. "Boyhood and the Frontier: Nostalgia and Play in My Ántonia," by Martin
Woodside
Chapter 7. "The Nebraskan Neverland: The Archeology of Children's Fantasy Fiction in My Ántonia," by Holly Blackford
Chapter 8. "'Obliterating Strangeness': Cather, Capote, and the Burden of My Ántonia," by Thomas Fahy
Part III: Transhuman
Chapter 9. "Beyond Gender, Between Persons: Intersubjective Desire in My Ántonia," by Monroe Street
Chapter 10. "The Image of Nature in the Past in My Ántonia," by Fangyuan Xi
Chapter 11. "My Ántonia: Keatsian Negative Capability and the Dissolution of Boundaries," by Jim Cody
Part IV: Transition
Chapter 12. "A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia," by Keiko Arai
Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and Zachary Tavlin
Bibliography
About the Contributors
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