The Queer Sixties
1st Edition
Published on 16. December 2013
300 pages
978-1-136-68368-8 (ISBN)
Description
The Queer Sixties assembles an impressive group of cultural critics to go against the grain of 1960s studies, and proposes new and different ways of the last decade before the closet doors swung open. Imbued with the zeitgeist of the 60s, this playful and powerful collection rescues the persistence of the queer imaginary.
Reviews / Votes
"This eye-opening work of cultural history is recommended for larger public libraries and academic collections with gay studies or art specializations." -- Jeffery Ingram, Newport P.L., OR, Library Journal June 15, 1999"Smith's volum examines the iconography of queer sexuality in popular culture during the deacde preceding Stonewall. Fourteen essays arrange in five subsections appraoch this topic through subjects ranging from pulp fiction and pop music to theater and film. Smith (UCLA) provises an introcution, and each of the essays includes substantial notes." -Choice."
"Smith collects a broad sampling of literary, film, and music criticism fora reading of the culture of the 1960s through queer-colored glasses. This eye-opening work of cultural history is recommended for larger public libraries and academic collections with gay studies or art specializations." -- Library Journal
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Product notice
Reflowable
File size
4,12 MB
ISBN-13
978-1-136-68368-8 (9781136683688)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Patricia Juliana Smith
The Queer Sixties
Book
05/1999
Routledge
€154.50
Article exhausted; check different version
Person
Patricia Juliana Smith is Assistant Professor of English at UCLA.
Content
I: The Iconographic Subcultural Text; 1: Pulp Politics; 2: The Cultural Work of Sixties Gay Pulp Fiction; II: Ultimate Icon, Ultimate Iconoclast; 3: New York School's "Out"; 4: The "Sweet Assassin" and the Performative Politics of Scum Manifesto; III: Notes from Abroad; 5: A Perfectly Developed Playwright; 6: "You Don't have to Say you Love me"; 7: "Give Us a Kiss"; IV: California Dreaming; 8: "I am with you, Little Minority Sister"; 9: L.A. Women; V: Icons and Iconoclasts in the Mainstream; 10: "(W)Right in the Faultlines"; 11: Liberalism, Libido, Liberation; 12: The Queer Frontier; 13: Producing Identity; 14: Myra Breckinridge and the Pathology of Heterosexuality
