Posing Sex
Toward a Perceptual Ethics for Literary and Visual Art
1st Edition
Published on 19. April 2018
232 pages
978-1-5013-3919-6 (ISBN)
Description
Posing Sex: Toward a Perceptual Ethics for Literary and Visual Art views the long and provocative tradition of representing the sexual act in Western art as an occasion for challenging assumptions about personhood.
It is uncontroversial that what Singer dubs the "sex image," the artist's posing of human figures in the act of coitus, is an enduring compositional armature for artists from antiquity to the present. Singer, however, makes the quite controversial claim that this aesthetic practice, in literature and painting especially, serves as a powerful metier for exploring how the mind is continuous with the sensuously lively body rather than its rationalistic antagonist. Singer draws upon a rich philosophical tradition-from the Greek Stoics, Descartes, Spinoza, and Hegel to contemporary theorists of perception and aesthetic agency-to show how the stakes of aesthetic experience epitomized in the sex image are essentially ethical. Referencing a broad range of image-based artworks-literary, painterly, and cinematic-Singer illustrates the proposition that "posing sex" broadens the scope of our knowledge about how feeling reciprocates with reason-giving.
It is uncontroversial that what Singer dubs the "sex image," the artist's posing of human figures in the act of coitus, is an enduring compositional armature for artists from antiquity to the present. Singer, however, makes the quite controversial claim that this aesthetic practice, in literature and painting especially, serves as a powerful metier for exploring how the mind is continuous with the sensuously lively body rather than its rationalistic antagonist. Singer draws upon a rich philosophical tradition-from the Greek Stoics, Descartes, Spinoza, and Hegel to contemporary theorists of perception and aesthetic agency-to show how the stakes of aesthetic experience epitomized in the sex image are essentially ethical. Referencing a broad range of image-based artworks-literary, painterly, and cinematic-Singer illustrates the proposition that "posing sex" broadens the scope of our knowledge about how feeling reciprocates with reason-giving.
Reviews / Votes
This risk-taking, fearless book is a continually rewarding act of looking and feeling and thinking, insisting on their intimacy but also enacting it on the page, where Singer's intellectual reach and analytical rigor produce an abundance of arresting perceptions of sensuous aesthetic experience. * Ross Posnock, Anna Garbedian Professor of the Humanities, Columbia University, USA * Drawing elegantly on Hegel and Spinoza, as well as contemporaries like John McDowell, Alan Singer regards aesthetic depictions of sex not merely as lewd images, or objects for the male gaze, but as a matrix through which personhood is made intelligible. Posing Sex invites us to see in such images how conceptual capacities are at work in the deliverances of our senses, and how knowledge of self and others can be achieved where we least expect it. * Paul A. Kottman, Associate Professor of Comparative Literature, The New School for Social Research, USA, and author of Love as Human Freedom (2017) * [R]emarkably sensitive and intricate in surveying how aesthetic moments may connect to more comprehensive aspects of life by virtue of the kinds of 'mindfulness' they pursue ... Singer deploys a unique mode of argument that we might best characterize as philosophical bricolage. * Charles Altieri, University of California, Berkeley, JML Blog Review Roundtable, JML Blog Review Roundtable * A leading virtue of Alan Singer's Posing Sex is its commitment to a theorization of literary and visual art that might please even the opponents of aesthetics. Those partisans will find no shrinking from action here ... One value of Singer's literary-critical iconoclasm lies in his ability to bring into the domain of mindedness and action texts that range from Lady Chatterley's Lover to Henry Miller's Sexus to Lolita; and to do the same for erotically-charged visual art by Balthus or Bacon or John Currin, and for the film art of Lars Von Trier. * Robert L. Caserio, The Pennsylvania State University, JML co-editor, JML Blog Review Roundtable * I urge [readers] to 'taste and see' for themselves, and in the reading of the entire book ... they will experience the surprises of informed and just critical judgments and the shocks of new aesthetic experiences. * Daniel T. O'Hara, Temple University, JML co-editor, JML Blog Review Roundtable *More details
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing PLC (Digital)
Target group
Professional and scholarly
Illustrations
12 b/w illustrations
ISBN-13
978-1-5013-3919-6 (9781501339196)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
10/2019
Bloomsbury Academic USA
€43.50
Shipment within 15-20 days
Person
Alan Singer is Professor of English at Temple University, USA. He is the author of four critical books, including The Self-Deceiving Muse: Notice and Knowledge in the Work of Art (2010) and Aesthetic Reason: Artworks and the Deliberative Ethos (2003). He is the author of many articles on aesthetics and co-editor of Literary Aesthetics: A Reader (2001).
Content
List of Illustrations
Acknowledgments
Introduction
1. Posing Sex: Prospects for a Perceptual Ethics
2. Learning from Imagination: Re-Imagining Moral Knowledge
3. The Senses of Personhood: Beyond Allegories of the Body
4. The Impositions of Perception
5. Knowledge in the Flesh
Bibliography
Index
Acknowledgments
Introduction
1. Posing Sex: Prospects for a Perceptual Ethics
2. Learning from Imagination: Re-Imagining Moral Knowledge
3. The Senses of Personhood: Beyond Allegories of the Body
4. The Impositions of Perception
5. Knowledge in the Flesh
Bibliography
Index
