
Making Home Work
Description
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Simonsen illuminates discussions about the value of women’s work through analysis of texts and images created by writers, women’s rights activists, reformers, anthropologists, photographers, field matrons, and Native American women. She argues that women such as Caroline Soule, Alice Fletcher, E. Jane Gay, Anna Dawson Wilde, and Angel DeCora called upon the rhetoric of sentimental domesticity, ethnographic science, public display, and indigenous knowledge as they sought to make the gendered and racial order of the nation visible through homes and the work performed in them. Focusing on the range of materials through which domesticity was produced in the West, Simonsen integrates new voices into the study of domesticity’s imperial manifestations.
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Content
- Intro
- Contents
- Acknowledgments
- Introduction: Squaring the Circle
- 1 Prairie Heirs and Heiresses: Native American History and the Future of the West in Caroline Soule's: The Pet of the Settlement
- 2 The House Divided: Class and Race in the Married Woman's Home
- 3 Object Lessons: Domesticity on Display in Native American Assimilation
- 4 The Cook, the Photographer, and Her Majesty, the Allotting Agent: Unsettling Domesticity in E. Jane Gay's Choup-nit-ki
- 5 A Model of Its Kind: Anna Dawson Wilde's Home in the Field
- 6 Border Designs: Domestic Production and Cultural Survival
- Postscript: The Map and the Territory
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- V
- W
- Z
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