
Shakespeare, Trauma and Contemporary Performance
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Reviews / Votes
"Timely as well as distinctive, Silverstone's book makes a significant contribution to Shakespeare performance studies and, more broadly, to cultural history."- Barbara Hodgdon, University of Michigan, USA"Silverstone's engagement with trauma theory is intricate and adroit...Shakespeare, Trauma and Contemporary Performance...is an eloquent invitation to attend carefully to what it might mean to see violence performed, and what it might mean to witness it." - Emma Cox, Contemporary Theatre Review
"This is a fluent and stimulating study which is both well researched and alive to the theatrical implications arising from the interaction of Shakespearian productions and their cultural situations." - Peter J. Smith, Year's Work in English Studies
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
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