
Film Noir Compendium
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With Alain Silver, James Ursini (Los Angeles, CA) has co-written studies of David Lean, Robert Aldrich, and Roger Corman and on such genres as the vampire film, the zombie film, and most recently American neo-noir. He has also done numerous DVD commentaries on classic film noir DVDs such as Out of the Past, Kiss of Death, and Ride the Pink Horse. He recently completed his first neo-noir feature film.
Content
- FILM NOIR COMPENDIUM
- Contents
- Acknowledgments
- Introduction
- Classic Texts
- Crime Certainly Pays on the Screen (1945)
- A New Kind of Police Drama: the Criminal Adventure (1946)
- Americans Also Make Noir Films (1946)
- The Evolution of the Crime Film (1955)
- Towards a Definition of Film Noir (1955)
- Noir Cinema (1968)
- Paint it Black: The Family Tree of the Film Noir (1970)
- notes on film noir (1972)
- Three Faces of Film Noir (1972)
- Some Visual Motifs of Film Noir (1974)
- Violence and the Bitch Goddess (1974)
- No Way Out: Existential Motifs in the Film Noir (1976)
- Film Noir: A Modest Proposal (1978)
- Out of What Past? Notes on the B Film Noir (1979)
- The Filmic Transaction: On the Openings of Film Noirs (1983)
- Film Noir: Style and Content (1988)
- Kill Me Again: Movement Becomes Genre (1990)
- Son of Noir: Neo-Film Noir and the Neo-B Picture (1992)
- Lounge Time: Postwar Crises and the Chronotope of Film Noir (1998)
- "Lounge Time" Reconsidered: Spatial Discontinuity and Temporal Contingency in Out of the Past (2004)
- Voices from the Deep: Film Noir as Psychodrama (2004)
- Manufacturing Heroines: Gothic Victims and Working Women in Classic Noir Films (2004)
- The Strange Case of Film Noir (2012)
- Case Studies
- Kiss Me Deadly: Evidence of a Style
- At the Margins of Film Noir: Preminger's Angel Face
- The Killers: Expressiveness of Sound and Image in Film Noir
- What Is This Thing Called Noir?
- Phantom Lady, Cornell Woolrich, and the Masochistic Aesthetic
- Noir 101
- Ride the Pink Horse: Money, Mischance, Murder, and the Monads of Film Noir
- Dark Jazz: Music in the Film Noir
- Creativity and Evaluation: Two Film Noirs of the Fifties
- Film Noir, Voice-Over, and the Femme Fatale
- The Camouflaged Femme Fatale: The File on Thelma Jordon and Pushover
- Notes on Contributors
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