The Lustrous Trade
Material Culture and the History of Sculpture in England and Italy, C.1700-C.1860
1st Edition
Published on 1. January 2001
290 pages
978-1-4411-8590-7 (ISBN)
Description
In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high"art and in the wider market of religious, garden and decorative sculpture.
More details
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
ISBN-13
978-1-4411-8590-7 (9781441185907)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Cinzia Sicca | Alison Yarrington
The Lustrous Trade
Material Culture and the History of Sculpture in England and Italy, c.1700-c.1860
Book
01/2001
Frances Pinter Publishers Ltd
€307.20
Shipment within 10-20 days
Persons
Cinzia Sicca is associate professor of history of European art at the Univeristy of Pisa. Alison Yarrington is professor of history of art at the University of Leicester.
Content
Introduction
1: Re-casting George I: Sculpture, the Royal Image and the Market
2: Camillo Rusconi in English Collections
3: The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century
4: Gentlemen of Virtue: Morality and Representation in English Eighteenth-century Tomb Sculpture
5: Contacts and Contracts: Sir Henry Cheere and the Formation of a New Commercial Worl of Sculpture in Mid-Eighteenth Century London
6: 'Sheep, shepherds, and wild beasts, cut artificially in stone': Production and Consumption of Garden Sculpture in Genoa at the End of the Seventeenth and during the Eighteenth Century
7: Anglo-Italian Attitudes: Chantrey and Canova
8: The Marble Trade: The Lazzerini Workshop and the Arts, Crafts and Entrenpreneurs of Carrara in the Early Nineteenth Century
9: Carlo Marochetti: Maintaining Distinction in an International Sculpture Market
10: Belzoni's Collecting and the Egyptian Taste
11: Between Fine Art and Manufacture: The Beginnings of Italian Medieval and Renaissance Sculpture at the South Kensington Museum
12: 'Enjoyment for the Thousands': Sculpture as Fine and Ornamental Art at South Kensington, 1852 - 62
Bibliography
Index
1: Re-casting George I: Sculpture, the Royal Image and the Market
2: Camillo Rusconi in English Collections
3: The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century
4: Gentlemen of Virtue: Morality and Representation in English Eighteenth-century Tomb Sculpture
5: Contacts and Contracts: Sir Henry Cheere and the Formation of a New Commercial Worl of Sculpture in Mid-Eighteenth Century London
6: 'Sheep, shepherds, and wild beasts, cut artificially in stone': Production and Consumption of Garden Sculpture in Genoa at the End of the Seventeenth and during the Eighteenth Century
7: Anglo-Italian Attitudes: Chantrey and Canova
8: The Marble Trade: The Lazzerini Workshop and the Arts, Crafts and Entrenpreneurs of Carrara in the Early Nineteenth Century
9: Carlo Marochetti: Maintaining Distinction in an International Sculpture Market
10: Belzoni's Collecting and the Egyptian Taste
11: Between Fine Art and Manufacture: The Beginnings of Italian Medieval and Renaissance Sculpture at the South Kensington Museum
12: 'Enjoyment for the Thousands': Sculpture as Fine and Ornamental Art at South Kensington, 1852 - 62
Bibliography
Index
