No Rhododendron
Poems
Published on 7. October 2025
113 pages
978-0-8229-9220-2 (ISBN)
Description
Longlisted, 2026 PEN Open Book Award
Featured in Poetry Daily's Best Poems of 2025
Winner, 2024 Donald Hall Prize for Poetry
Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament to the poet-speaker's father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by an existential question about Shertok's oral mother tongue, Tamang: How do you write about a language that has no script? Exploring the erasure, ambiguity, multiplicity, violence, and unknowability signified by "X," the poems dwell on the lip of a new ghost language, which ultimately fails itself. The polyphonal witnessing of the decade-long Maoist conflict in his native Nepal from schoolchildren's perspective reveals how a war can fracture the psyche of an entire generation. The final thread of the book, a "reverse-elegy" for his mother, meditates on the impending loss of a loved one as a potential site of mourning, impermanence, gratitude, memory-making, and mythopoeticism.
Featured in Poetry Daily's Best Poems of 2025
Winner, 2024 Donald Hall Prize for Poetry
Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament to the poet-speaker's father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by an existential question about Shertok's oral mother tongue, Tamang: How do you write about a language that has no script? Exploring the erasure, ambiguity, multiplicity, violence, and unknowability signified by "X," the poems dwell on the lip of a new ghost language, which ultimately fails itself. The polyphonal witnessing of the decade-long Maoist conflict in his native Nepal from schoolchildren's perspective reveals how a war can fracture the psyche of an entire generation. The final thread of the book, a "reverse-elegy" for his mother, meditates on the impending loss of a loved one as a potential site of mourning, impermanence, gratitude, memory-making, and mythopoeticism.
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Person
Samyak Shertok's poems appear in The Cincinnati Review, The Gettysburg Review, The Iowa Review, The Kenyon Review, Poetry, Shenandoah, Best New Poets, and elsewhere. His honors include the Robert and Adele Schiff Award for Poetry, the Gulf Coast Prize in Poetry, and the Auburn Witness Poetry Prize. He has received fellowships from Aspen Words, the Helene Wurlitzer Foundation, and the Fine Arts Work Center in Provincetown. Originally from Nepal, he was the inaugural Hughes Fellow in Poetry at Southern Methodist University and teaches creative writing at Mississippi State University.
