
In God We Trust
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Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant--and utterly hilarious--works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.
A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.
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Content
- Intro
- Title Page
- Copyright
- Dedication
- Contents
- Chapter I - We Meet Flick, the Friendly Bartender
- Chapter II - Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid
- Chapter III - Flick Fails to Recall an Old Song
- Chapter IV - The Counterfeit Secret Circle Member Gets the Message, or The Asp Strikes Again
- Chapter V - I Poke at an Old Wound
- Chapter VI - The Endless Streetcar Ride into the Night, and the Tinfoil Noose
- Chapter VII - Flick Offers Me Hard Liquor
- Chapter VIII - Hairy Gertz and the Forty-Seven Crappies
- Chapter IX - I Introduce Flick to the Art World
- Chapter X - My Old Man and the Lascivious Special Award That Heralded the Birth of Pop Art
- Chapter XI - Flick Makes an Artistic Judgment
- Chapter XII - The Magic Mountain
- Chapter XIII - Flick Dredges Up a Notorious Son of a Bitch
- Chapter XIV - Grover Dill and the Tasmanian Devil
- Chapter XV - Flick Displays a Petty Jealous Streak
- Chapter XVI - Ludlow Kissel and the Dago Bomb That Struck Back
- Chapter XVII - I Show Off
- Chapter XVIII - Uncle Ben and the Side-Splitting Knee-Slapper, or Some Words are Loaded
- Chapter XIX - We Have Two Small Visitors
- Chapter XX - Old Man Pulaski and the Infamous Jaw-Breaker Blackmail Caper
- Chapter XXI - Enter Friendly Fred
- Chapter XXII - The Perfect Crime
- Chapter XXIII - Flick Baits the Hook
- Chapter XXIV - Wilbur Duckworth and His Magic Baton
- Chapter XXV - I Relate the Strange Tale of the Human Hypodermic Needle
- Chapter XXVI - Miss Bryfogel and the Frightening Case of the Speckle-Throated Cuckold
- Chapter XXVII - Polka Time
- Chapter XXVIII - "Nevermore," Quoth the Assessor, "Nevermore. ."
- Chapter XXIX - The Posse Rides Again
- Chapter XXX - Leopold Doppler and the Great Orpheum Gravy Boat Riot
- Chapter XXXI - The Day Shift Drops by for a Belt
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