The Three Amigos
The Transnational Filmmaking of Guillermo Del Toro, Alejandro GonzaLez InaRritu, and Alfonso CuaroN
1st Edition
Published on 16. May 2016
288 pages
978-1-5261-1222-4 (ISBN)
Description
This is the first academic book dedicated to the filmmaking of the three best known Mexican born directors, Guillermo del Toro, Alejandro Gonzalez Inarritu, and Alfonso Cuaron.
Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis of their most significant films with a focus on both the texts and the production contexts in which they were made. These include studies on del Toro's Cronos/ Chronos, El laberinto del fauno/Pan's Labyrinth, and Hellboy II: The Golden Army; Inarritu's Amores Perros, 21 Grams and Babel; and Cuaron's Solo con tu pareja/ Love in the Time of Hysteria, Y tu mama tambien, and Children of Men.
The Three Amigos will be of interest to all those who study Hispanic and Spanish Cinema in particular, and World and contemporary cinema in general. -- .
Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis of their most significant films with a focus on both the texts and the production contexts in which they were made. These include studies on del Toro's Cronos/ Chronos, El laberinto del fauno/Pan's Labyrinth, and Hellboy II: The Golden Army; Inarritu's Amores Perros, 21 Grams and Babel; and Cuaron's Solo con tu pareja/ Love in the Time of Hysteria, Y tu mama tambien, and Children of Men.
The Three Amigos will be of interest to all those who study Hispanic and Spanish Cinema in particular, and World and contemporary cinema in general. -- .
Reviews / Votes
Shaw concisely and efficiently utilizes a number of theoretical fields in her discussion, including careful scrutiny of the marketing, profits and the attendant creative freedoms and constraints these suppose, in addition to carrying out close textual analysis of key stylistic and technical characteristics of the films. This is an important book that convincingly argues that these three amigos, who are the most successful filmmakers of Mexican origin in financial and international terms, are exemplars of transnational filmmaking and demonstrates the multiple ways in which their 'films have caused critics to rethink classificatory borders' (225). -- .All prices
More details
Series
Language
English
Place of publication
United Kingdom
Illustrations
Halftones, black & white
ISBN-13
978-1-5261-1222-4 (9781526112224)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Deborah Shaw
The Three Amigos
The Transnational Filmmaking of Guillermo Del Toro, Alejandro GonzaLez InaRritu, and Alfonso CuaroN
Book
03/2015
Manchester University Press
€29.50
Shipment within 15-20 days
Person
Deborah Shaw is Reader in Film Studies at the University of Portsmouth -- .
Content
Introduction
Guillermo del Toro: the Alchemist
1. Cronos: Introducing Guillermo del Toro
2. Generating an Authorial Presence with Hellboy II: The Golden Army
3. El Laberinto del Fauno: Breaking Through the Barriers of Filmmaking
Alejandro Gonzalez Inarritu: Independent Filmmaker
4. Change to Crashing into the International Film Market with Amores Perros
5. 21 Grams: An American Independent Film made by Mexicans
6. Babel and the Global Hollywood Gaze
Alfonso Cuaron: A Study of Auteurism in Flux
7.1 Solo Con tu Pareja: Bringing the Middle Classes Back to Mexican Cinemas
7.2 Less than Great Expectations: Working within the Hollywood System
8. Cuaron Finds his Own Path: Y Tu Mama Tambien
9. Children of Men: the Limits of Radicalism
Conclusion
Appendix: Discussion thread on comicbookresources.com about del Toro and Mignola and the Hellboy films.
Bibliography
Filmography -- .
Guillermo del Toro: the Alchemist
1. Cronos: Introducing Guillermo del Toro
2. Generating an Authorial Presence with Hellboy II: The Golden Army
3. El Laberinto del Fauno: Breaking Through the Barriers of Filmmaking
Alejandro Gonzalez Inarritu: Independent Filmmaker
4. Change to Crashing into the International Film Market with Amores Perros
5. 21 Grams: An American Independent Film made by Mexicans
6. Babel and the Global Hollywood Gaze
Alfonso Cuaron: A Study of Auteurism in Flux
7.1 Solo Con tu Pareja: Bringing the Middle Classes Back to Mexican Cinemas
7.2 Less than Great Expectations: Working within the Hollywood System
8. Cuaron Finds his Own Path: Y Tu Mama Tambien
9. Children of Men: the Limits of Radicalism
Conclusion
Appendix: Discussion thread on comicbookresources.com about del Toro and Mignola and the Hellboy films.
Bibliography
Filmography -- .
