
The Surface of the Lit World
Description
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In addition to first-person autobiographical narratives, there are ekphrastic poems; poems that explore narratives from mythology and religion; and poems based on news reports, radio stories, and audio recordings. Regardless of the approach, the central questions are the same: How do we sense the world we live in? What do the institutions to which we turn for meaning-family, religion, art, literature, science-offer us, and in what ways do they fail us? The answers may depend on where we dare to look.
Reviews / Votes
"Here are more wonderful poems by Shane Seely, quietly readable, various, lush with imagery, hammered clean by the mind and spoken from the heart. Inspired by art and myth, poetry and music, the oldest stories told again for us here, now. These are poems of fathers and sons, daily touched by life, awakened new each morning by the clamoring world." "This is verse for the hearth and the backpack, poems that never fail to notice in the smallest moment something that might astonish." (Limestone Journal) "With an impressive combination of intelligence and heart, Shane Seely's poems '[glow] like a candled egg in the single window / of our cell.' This collection handily negotiates a fine line between the complex beauty of Paradise and the dark turns of hearts and bodies scorched from desire. These poems make me grateful for the sensitivity of Seely's ear and eye to record so many small graces on this planet." "'So much goes overgrown / if not attended to,' Shane Seely writes. But this fine book presents poem after poem of clear attention, to the daily world of home and garden and the timeless one of art's inheritance. There's wildness here-cougars or foxes we just barely glimpse along the perimeters of our lives, as well as what we see if we look inward. Light and shadow, love and fear. These are elegant, intelligent poems; as patient as paintings, as enduring as myths." "Shane Seely is a first-rate poet, delighted by language, alert and tender to the shocks of awe. Because he trusts his reader to think and feel as keenly as he does, he never puts on airs, and his new work is full of amazements. Some of my favorite moments are: the account of family man playing the part of the condemned in the rehearsal for an execution; the description of a member of the audience who leaves a lecture on Hart Crane cursing and saying that the speaker knows nothing about his subject; the description of an insect alighting on a book, this impeccably delivered in one of the old French verse forms; a drunken man's sudden discovery that the snow-covered field where has driven his pick-up is a frozen pond bursting open under him; and the story of a lock-picking orangutan and his companions in the Omaha Zoo. This book renews my faith in poetry as one of the great depths of pleasure."More details
Other editions
Additional editions

Person
Content
- Intro
- Acknowledgments
- I
- Descent
- The Fledged Boy
- Rehearsal for an Execution
- View-Master
- Danaë
- Partial Solar Eclipse
- Lost Ring
- Chain Saw at Dusk
- The Opossum
- On the Recording of Weldon Kees Reading "Relating to Robinson"
- These Fine Collapses
- The Cinder Woman
- Isaac's Lament
- Sucker Fish
- Early Postcard from Paradise
- II
- After Stanley Kunitz
- You Fell Forward on Both Knees
- Noon Bus in a Heat Wave
- For the Swamp King of Kalispell
- Sonnet for the Pennsylvania Mountain Lion
- Dürer's Rhinoceros
- Laisse for an Insect on an Open Book of Poems
- Teaching English at the Chrysler Plant
- Walt Whitman at the Irish Festival, Syracuse, New York: Four Snapshots
- Stick
- Orpheus Charming the Animals
- The Kite Flyers of Forest Park
- Preschool Race, Seen through a Bus Window
- III
- Silm: Four Definitions from the Estonian
- Gathering Wood before Rain
- A Low Wall
- Bat in the House
- The Late Deluge
- Spider Laisse
- Anthology
- Still Life with Mice
- The Frozen Pond
- The Stone Garden
- The Weedy Thicket
- The Orangutans of the Omaha Zoo
- The Fox
- Centralia
- Forest Cemetery
- Notes
System requirements
File format: ePUB
Copy protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our ebook Help page.
File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.